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	<title>Comments on: How They Write</title>
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	<description>fiction matters</description>
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		<title>By: Celeste</title>
		<link>http://fictionwritersreview.com/blog/how-they-write/comment-page-1#comment-3227</link>
		<dc:creator>Celeste</dc:creator>
		<pubDate>Tue, 17 Nov 2009 16:33:10 +0000</pubDate>
		<guid isPermaLink="false">http://fictionwritersreview.com/?p=5631#comment-3227</guid>
		<description>Danielle, I skip the handwritten stage!  But that&#039;s because I am a slow and messy writer, and it&#039;s easier to keep up with my thoughts when I type.  I do make a new draft every time I change something in the story, though, so my first typed drafts are probably as rough as a handwritten one.  And I do take notes in a regular old notebook--for significant details and important phrases that come to me--before sitting down to work them into a typed draft.  There&#039;s a particular type I prefer (a Mead 4x6 spiral) for very practical reasons: it&#039;s small enough to fit in my purse, so I always have it with me; it&#039;s spiral, so I can fold the cover over instead of having it open; it has a stiff back cover for easier writing and a pocket to hold scraps/notes/etc.; and it&#039;s college ruled.  My past 12 or so notebooks have been the same kind, and I worry about what I&#039;ll do if they stop making them.  I have a hoard of about 10 right now and buy the store out whenever I see them.

My favored notebook is also fairly cheap, so I don&#039;t feel the need to save it for anything good, and that takes some of the pressure off.  I wonder if that&#039;s why so many other people, both in this comment thread and in the WSJ article, prefer inexpensive writing materials (index cards, blue books, cheap notepads, etc.).</description>
		<content:encoded><![CDATA[<p>Danielle, I skip the handwritten stage!  But that&#8217;s because I am a slow and messy writer, and it&#8217;s easier to keep up with my thoughts when I type.  I do make a new draft every time I change something in the story, though, so my first typed drafts are probably as rough as a handwritten one.  And I do take notes in a regular old notebook&#8211;for significant details and important phrases that come to me&#8211;before sitting down to work them into a typed draft.  There&#8217;s a particular type I prefer (a Mead 4&#215;6 spiral) for very practical reasons: it&#8217;s small enough to fit in my purse, so I always have it with me; it&#8217;s spiral, so I can fold the cover over instead of having it open; it has a stiff back cover for easier writing and a pocket to hold scraps/notes/etc.; and it&#8217;s college ruled.  My past 12 or so notebooks have been the same kind, and I worry about what I&#8217;ll do if they stop making them.  I have a hoard of about 10 right now and buy the store out whenever I see them.</p>
<p>My favored notebook is also fairly cheap, so I don&#8217;t feel the need to save it for anything good, and that takes some of the pressure off.  I wonder if that&#8217;s why so many other people, both in this comment thread and in the WSJ article, prefer inexpensive writing materials (index cards, blue books, cheap notepads, etc.).</p>
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		<title>By: Danielle</title>
		<link>http://fictionwritersreview.com/blog/how-they-write/comment-page-1#comment-3226</link>
		<dc:creator>Danielle</dc:creator>
		<pubDate>Tue, 17 Nov 2009 00:58:52 +0000</pubDate>
		<guid isPermaLink="false">http://fictionwritersreview.com/?p=5631#comment-3226</guid>
		<description>I love hearing these obsessive details; they&#039;re so private. Interesting how so many writers begin with handwritten drafts, which so many people think of as antiquated, and are clearly not. I also start handwritten, in a dedicated notebook (usually a Clairefontaine or Moleskine), gathering steam until my hand can&#039;t keep up with my brain; then it goes to the computer, though I&#039;ll return to the notebook for notes as I work through drafts. Does anyone out there actually skip the handwritten stage all together, or is this an urban legend lamented by writing professors about the &quot;next&quot; generation?</description>
		<content:encoded><![CDATA[<p>I love hearing these obsessive details; they&#8217;re so private. Interesting how so many writers begin with handwritten drafts, which so many people think of as antiquated, and are clearly not. I also start handwritten, in a dedicated notebook (usually a Clairefontaine or Moleskine), gathering steam until my hand can&#8217;t keep up with my brain; then it goes to the computer, though I&#8217;ll return to the notebook for notes as I work through drafts. Does anyone out there actually skip the handwritten stage all together, or is this an urban legend lamented by writing professors about the &#8220;next&#8221; generation?</p>
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		<title>By: Harlan Lewin</title>
		<link>http://fictionwritersreview.com/blog/how-they-write/comment-page-1#comment-3217</link>
		<dc:creator>Harlan Lewin</dc:creator>
		<pubDate>Wed, 11 Nov 2009 02:21:15 +0000</pubDate>
		<guid isPermaLink="false">http://fictionwritersreview.com/?p=5631#comment-3217</guid>
		<description>I often get a lot of ideas as I lay abed in the morning. I write them down on yellow 5x8&quot; lined pads and collect them. Sometimes the ideas are general to the entire book (e.g. plot) or specific to the chapter I am working on. I either use the ideas that day or save the collection for typing on a computer and creating a notes file and hard copy. Often I will &quot;vet&quot; my ideas by taking long walks and I also use walks to make choices when there are forks in the plot road. During walks I may record ideas on yellow 3x5&quot; index cards, which, folded, fit nicely and invisibly in my shirt pocket. I type and revise drafts on a computer--my handwriting is mostly illegible, even to me.</description>
		<content:encoded><![CDATA[<p>I often get a lot of ideas as I lay abed in the morning. I write them down on yellow 5&#215;8&#8243; lined pads and collect them. Sometimes the ideas are general to the entire book (e.g. plot) or specific to the chapter I am working on. I either use the ideas that day or save the collection for typing on a computer and creating a notes file and hard copy. Often I will &#8220;vet&#8221; my ideas by taking long walks and I also use walks to make choices when there are forks in the plot road. During walks I may record ideas on yellow 3&#215;5&#8243; index cards, which, folded, fit nicely and invisibly in my shirt pocket. I type and revise drafts on a computer&#8211;my handwriting is mostly illegible, even to me.</p>
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		<title>By: John Vanderslice</title>
		<link>http://fictionwritersreview.com/blog/how-they-write/comment-page-1#comment-3216</link>
		<dc:creator>John Vanderslice</dc:creator>
		<pubDate>Tue, 10 Nov 2009 20:57:26 +0000</pubDate>
		<guid isPermaLink="false">http://fictionwritersreview.com/?p=5631#comment-3216</guid>
		<description>Thanks so much for this heads up.  What a fascinating subject, and I&#039;m so glad for the validation for my dinosaur-like insistence on handwritten first drafts.  (They go into the cheapest lined notebooks I can possibly scrounge up, be they from Wal-Mart, Walgreen&#039;s, Kroger, or the stacks of journals left behind in my office by students from years past.  [Why waste paper?])  Many of my students look at me as if I have two heads when I tell them I write drafts in notebooks.  For me I can&#039;t imagine any other way, but--as your post shows us--to each his own.</description>
		<content:encoded><![CDATA[<p>Thanks so much for this heads up.  What a fascinating subject, and I&#8217;m so glad for the validation for my dinosaur-like insistence on handwritten first drafts.  (They go into the cheapest lined notebooks I can possibly scrounge up, be they from Wal-Mart, Walgreen&#8217;s, Kroger, or the stacks of journals left behind in my office by students from years past.  [Why waste paper?])  Many of my students look at me as if I have two heads when I tell them I write drafts in notebooks.  For me I can&#8217;t imagine any other way, but&#8211;as your post shows us&#8211;to each his own.</p>
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