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	<title>Comments on: Real Life: Novel or Memoir?</title>
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	<description>fiction matters</description>
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		<title>By: Jes</title>
		<link>http://fictionwritersreview.com/blog/real-life-novel-or-memoir/comment-page-1#comment-3255</link>
		<dc:creator>Jes</dc:creator>
		<pubDate>Fri, 04 Dec 2009 18:28:06 +0000</pubDate>
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		<description>Thanks for this post, Celeste. It&#039;s a resonant and sticky subject for the fiction writer: how to avoid the trap of thinking that goes, &quot;If it&#039;s real, it&#039;s worth a story.&quot; The idea that a moment or event, however absurd, eye-catching, hilarious or pathetic, does not make a story, but must be shaped &lt;i&gt;into&lt;/i&gt; a story with hard-work and elbow grease is something I come back to again and again when things aren&#039;t working. Even great memoirs, like Hemingway&#039;s &lt;i&gt;A Movable Feast&lt;/i&gt; or Shirley Hazzard&#039;s &lt;i&gt;Greene on Capri&lt;/i&gt;, have the careful shaping of the best short story collections - spare, considered, every word weighed.</description>
		<content:encoded><![CDATA[<p>Thanks for this post, Celeste. It&#8217;s a resonant and sticky subject for the fiction writer: how to avoid the trap of thinking that goes, &#8220;If it&#8217;s real, it&#8217;s worth a story.&#8221; The idea that a moment or event, however absurd, eye-catching, hilarious or pathetic, does not make a story, but must be shaped <i>into</i> a story with hard-work and elbow grease is something I come back to again and again when things aren&#8217;t working. Even great memoirs, like Hemingway&#8217;s <i>A Movable Feast</i> or Shirley Hazzard&#8217;s <i>Greene on Capri</i>, have the careful shaping of the best short story collections &#8211; spare, considered, every word weighed.</p>
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