“Thunderstruck,” Aaron Cance describes his reading of Bruce Machart’s two debut books: a novel, The Wake of Forgiveness, and a story collection, Men in the Making, out this week. They also discuss the themes of faith, masculinity, and love, and how a New England basement is a helpful metaphor for writing.
Tyler McMahon’s new novel, How the Mistakes Were Made, is a tragedy set to rock and roll. In this conversation with Caleb Winters, McMahon recalls the paranoia of Cold War America, shares his experiences touring with a band, and reveals how writing can be like church.
Daniel Orozco’s debut has been a long time coming. Now fans of his prizewinning fiction can enjoy an entire collection, Orientation: And Other Stories. Michael Shilling calls him in Idaho to talk geographic love letters, G. Gordon Liddy, and the peculiar challenge of gimmicks.
Shawn Mitchell talks to Elif Batuman and Geoff Dyer (and they talk to each other) about obsession and addiction, the permeable line between labeling work fiction or nonfiction, Stendahl syndrome, and future projects.
In the midst of a stellar authorial career and after a quarter century of teaching creative writing, Bret Lott takes a moment to talk about sending students in the right direction, maintaining a sincere workshop practice, and keeping your writing (and reading) life alive as you teach.
Known for stories and novels that force us to question the conventional dichotomy between realist and fantasy fiction, Kevin Brockmeier knows how to reveal the strangeness of the world around us. In conversation with Mary Stewart Atwell, Brockmeier discusses his new novel, The Illumination, and the compelling metaphors that inform his writing.
Donald Lystra, who published his first novel Season of Water and Ice after retiring from a career as an engineer, talks about making the transition from engineering to writing, publishing with a small press, winning a Midwest Book Award, and what people get wrong about the 1950s.
When The Clash asked the question “Should I Stay or Should I Go?” Jennine Capó Crucet had an answer. In How to Leave Hialeah, Crucet’s debut short story collection, characters wrestle with how the places they’re from shape their identity, how to grow beyond them, and why leaving is sometimes the only answer. In this interview, Melissa Scholes Young and Jennine Capó Crucet discuss the influence of setting and place in fiction, the intoxicating pull of hometowns, and the realities of the American Dream.
Award-winning short story author and bon vivant Simon Van Booy releases his first novel, Everything Beautiful Began After, and proves that his crystalline, poetic prose, showcased in essays and short stories up to now, is also compelling in long-form fiction.
Over the past six decades, Iraqi writer Mahmoud Saeed has used his novels, stories, and nonfiction to deconstruct the political and social turmoil of his beloved homeland. In a wide-ranging conversation with Stephen Morison, Jr., Saeed describes the difficulties Arab authors face in getting published, the institutionalized barriers to freedom of expression, and his constant attempt, through fiction, to “solve the puzzle of man and his actions.”
