She sees her stories visually before they become words. She often starts with an image of some incident and the people involved—a sense of some action, or some effect that the characters have created on each other. She doesn’t know at that stage exactly what’s happened to them or what they’re saying to each other, only that these people somehow belong in the story together.
Now brace yourself:
“Housewife Finds Time to Write Short Stories” was the headline that appeared in a local paper when Munro first began publishing.