Most of the news lately is about print publishers moving to electronic publishing. So it’s refreshing to hear about the opposite: short story website Five Chapters will soon begin publishing print books.
In January 2011, Five Chapters will publish three short story collections by Five Chapters alums: Nobody Ever Gets Lost by Jess [...]

What is it about the European cultures, tucked like bats into their tiny cubbies, that seems so much more specific than our own? How do Belgium or Luxembourg achieve “culture” in little more space we might use to construct a Wal-Mart megastore? What is it about confinement that breeds a more tribal than national identity? What are we doing when we sit down to read a collection of fiction culled from a continent?

It’s with great pride that we announce that Christine Hartzler’s essay “Games Are Not About Monsters,” which FWR published in April of last year, was recently selected for inclusion in Dzanc’s Best of the Web 2010 anthology.
Christine’s essay is a lyrical meditation on video games, the development of character, how we make meaning, and, of [...]

Even the idea itself is intriguing: pair twelve international illustrators and short fiction writers, press go, see what happens. The slim, wonderfully designed collection We Are the Friction sets the stage for unexpected relationships. Following their 2008 collaboration, I Am the Friction, the masterminds behind the concept are designer Jez Burrows and illustrator Lizzy Stewart, who together form Sing Statistics. Both Burrows and Stewart are based in Edinburgh, but the two-dozen writers and illustrators in this anthology reside across the globe – from Toronto to Kansas City to Barcelona. The cover promises a veritable garden of earthly delights: “5 Giant Animals, 63 Expletives, 6 Instances of the Ocean,” and “1 Sentient Muffin” among them. Let’s begin with that muffin.

The Millions pointed us to this interesting analysis of the Best American Short Stories series from the blog Years of BASS. Jake, the brain behind Years of BASS, has read all of the collections since the 1978 edition and compiled some statistics. C. Max Magee (of The Millions) reports:
Interestingly, Alice Munro, though Canadian, [...]