What happens when a composer falls in love with a David Foster Wallace short story? Eric Moe describes the genesis of his “sit-trag /concert monodrama” Tri-Stan, his correspondence with DFW about the project, the challenges of translating a short story to a one-woman vocal piece, and why “making art is a lot more exciting when big risks are being taken.”
Flaubert, best known for his part in fathering the modern novel, also wrote wonderful short fiction. This Saturday morning, I recommend curling up with “A Simple Heart.” A tribute to George Sand, this story was first published in 1877 as part of Flaubert’s final finished work, Three Tales; almost 100 years later it inspired [...]
Anyone with a television set (by no means a given anymore) and network reception (ditto), has probably not escaped the fact that this is Oprah’s last season. Her most recent Book Club selection – announced during her show featuring Jonathan Franzen, post-controversy – were not one, but two novels by Charles Dickens.
The Oprah Book [...]
Over lunch with a friend a few weeks back, we discussed the qualities of enduring children’s literature. Almost simultaneously, we both lit upon the fairly common idea that children really, truly love to be frightened – not so different from their more mature counterparts. “Safely scared,” was how he put it, and I couldn’t agree [...]
ver on the Huffington Post, Cynthia Ellis has a lovely homage to The Woman in White, the 1859 classic of madness, mystery, romance and juicy hints at the supernatural by Wilkie Collins. The Woman in White was first published in serial form, and the reader feels it. The 600+ pages race by with a kind [...]
Maurice Sendak’s picture book Where the Wild Things Are is nearly 50 years old, but the release of Spike Jonze’s film adaptation has sparked a resurgence of critical interpretations of the story. A sampling:
On the Oxford University Press blog, philosophy professor Stephen T. Asma ties our love for Where the Wild Things Are [...]
I just read Thomas Mann’s The Magic Mountain. The whole thing. Starting on page one and ending on page 706. The events in the book span seven years, and reading it seemed to take almost as long. When I embarked on this project, I was recovering from orthopedic surgery [...] Why, then, would I want to read a lengthy book packed with intellectual digressions set in a tuberculosis sanatorium in the Swiss Alps prior to the start of World War II? Hadn’t I been through enough? How about something light, or at least short? A Carol Goodman murder mystery, or something by Nick Hornby? As it turned out, The Magic Mountain was a choice so perfect I’m thinking a copy should be handed out with every pre-admission packet given to surgical patients…
Entering a piece of writing in a collaborative way is at the heart of what Fowles called the “I-thou” theory: no matter how many times a book is read, it is fundamentally a relationship—an encounter—between just two people.
