“More broadly, the book, and the short story form in general, is interested in the way that certain choices preclude others.” Danielle Evans talks with Melissa Scholes Young about her new collection, The Office of Historical Corrections.
In her debut collection, Before You Suffocate Your Own Fool Self, Danielle Evans’s characters, like most of us, struggle to belong. Their loyalties to place, to family, and to self are often divided. Melissa Scholes Young interviews the author to find out how the identities we claim or deny often define the people we become.
“[T]he value of a short story is the same as the value of all literature—that it allows a person to confront the world in a new way, that at its best it has the power to act as a transformative experience, and to leave the reader changed—smarter and more empathetic. I think there’s something especially lovely about being able to have a complete, meaningful emotional experience in the time it takes to read ten to twenty pages.” ~ Danielle Evans Further Reading: Read more about Danielle Evans on Fiction Writers Review Looking for something to read? Check out the Stories […]
In her debut collection, Before You Suffocate Your Own Fool Self, Danielle Evans’s characters, like most of us, struggle to belong. Their loyalties to place, to family, and to self are often divided. Melissa Scholes Young interviews the author to find out how the identities we claim or deny often define the people we become.
