The yarn-like stories that make up this debut collection recount the life of an imagined town in northern Virginia. Unlike a traditional collection, Neofotis chooses an oral storytelling method to structure these stories, utilizing the conceit that the narrator is not just the vehicle through which we are relayed the narrative but an actual character himself, one who sits down beside us to spool out poignant stories, juicy pieces of gossip, and far-fetched legends from his small town.

Andrew Porter is the author of The Theory of Light and Matter, which won the 2007 Flannery O’Connor Award for Short Fiction and was recently republished by Vintage. Each one of these critically acclaimed stories is beautifully paced and plotted–a veritable nesting box–and full of lovely sentences you’ll want to read aloud just for the pleasure of it.

In this interview, Porter discusses how crafting stories is like editing film; what particular advantages peripheral narrators can afford; and why it’s “completely surreal” to hear actors read from your work.

“I imagine the seasonally unspecified stories in Laura van den Berg’s What the World Will Look Like When All the Water Leaves Us must be set in spring because spring is a time that makes me feel young, young as girls and in as much danger. And then there’s always this odd moment of realization that I am young and a girl and in some dangers. I’m still in too-close contact with boys I once loved, still prone to crying in public, still not aware of the dynamic personal lives of adults. Spring in the Midwest is about babies and hope and vitality, but it’s also about knowing that eventually a late frost is going to swing in out of no place and kill everything you haven’t collected in the shed. And I wanted the people in these stories locked up safe.”

Bob Dylan turned sixty-nine today. And regardless of how you feel about the man’s music, or how you feel about the different incarnations of his work—pre/post electric, pre/post born again, pre/post Victoria’s Secret—you’ve got to give him credit for knowing how to put together an album, which is a lot different than just writing a [...]

If Tunneling to the Center of the Earth (HarperPerennial, 2009) were a child, it would be the kind who held your hand until you reached the road and then insisted—slapping at your grasping fingers without taking his eyes off the road—on crossing the street without help. If Kevin Wilson’s debut collection were a car, it would be the kind of bubble-topped, shark-finned future-car that you see on footage of old World’s Fairs, but you would see it out in the world, cruising the miracle mile. If this book were a friend, it would be the kind who goes with you to the bar and doodles on napkins all night while everyone pounds beers and then, when everyone has forgotten about her, comes out with a one-liner that brings the house down.

Before I recommend or send any book to one of FWR’s reviewers, I always read a sample story or two, a chapter, or maybe the first fifteen pages. If I fall in love, I order a copy of the book for myself. But sometimes there’s a novel or collection that demands to be read immediately. [...]

Inspired by the Emerging Writers Network–who dubbed May as Short Story Month again this year–and the Poetry Book Giveaway for National Poetry Month, Fiction Writers Review is excited to propose a community effort by lit bloggers to raise attention for short story collections: Short Story Month 2010: The Collection Giveaway Project. Warm thanks to Erika [...]

“For those of you who have yet to publish your first book, I can predict with about 96% certainty how it will go: It won’t happen when you want it to, or in the way you expect. Of course it’ll take longer than you want — you know that. It’ll take so long you could grow a tree, learn forestry and paper-making, then print and bind it yourself and carry it by hand to every last remaining independent bookstore in the country. That is, if you don’t succumb first to addiction, poverty, despair, humiliation, or suicide. In short, it will take longer than you think you can stand, and yet, in the end, as you struggle to make your last-chance, oh-my-God-this-is-going-out-in-the-world? revisions, you’ll inevitably feel rushed and wonder where all that time went.”

There’s still a week left in April: spend it reading one of these new collections recommended by Andrew Scott.
INDIE PICKS:
- Strange Weather (Press 53), by Becky Hagenston. Winner of the Spokane Prize for Short Fiction.

Praise from Antonya Nelson:
The sensibility overseeing these fine stories is curious, clever, quick, hilarious, and heartbreaking. The world contained between [...]

This month, Andrew Scott — our Oprah of story collections, long may he reign! — recommends the following books:
Big House Pick: Aliens in the Prime of Their Lives, by Brad Watson (Norton)
“The dark and brilliant tales of Aliens in the Prime of Their Lives capture the strangeness of human (and almost-human) life. In this, his [...]