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Posts Tagged ‘Erika Dreifus’

Shop Talk |

Five Ways to Celebrate Short Stories

by Erika Dreifus

Here at FWR, we’re certainly doing our collective best to honor the art and craft of the short story this month. But there are lots of ways that each fiction writer can celebrate short stories individually. Here are five possibilities: Participate in #StorySunday: Reminded each Sunday by @TaniaHershman, short-story fans are encouraged to share a link via Twitter to someone else’s short story using the hashtag #StorySunday. Quick. Painless. Free. Click here to see the latest #StorySunday tweets. Listen to Selected Shorts: As its brand-new website explains, Selected Shorts “is a weekly public radio show broadcast on over 130 stations […]


Essays |

Looking Backward: Third-Generation Fiction Writers and the Holocaust

by Erika Dreifus

As the annual observance of Yom Hashoah (Holocaust Remembrance Day) approaches, Erika Dreifus discusses the literary kinship among works from an emerging cohort of “3G” (third-generation) Jewish writers: Julie Orringer’s The Invisible Bridge, Alison Pick’s Far to Go, and Natasha Solomons’ Mr. Rosenblum Dreams in English.


Reviews |

Sarah/Sara, by Jacob Paul

by Erika Dreifus

Jacob Paul’s debut, Sarah/Sara, is not a joyful read, but it is a deeply moving one. The novel unfolds as the journal of Sarah Frankel, an American-born Jew who, shortly after finishing college, moved to Israel, where she took the Hebrew version of her name (“Sara,” pronounced Sah-rah) and became far more ritually observant than she was raised to be. After her visiting parents are killed in a suicide bombing in the café below her Jerusalem apartment, Sara embarks on a six-week, solo kayaking trip through the Arctic. Throughout the beautiful yet dangerous trek, Sarah’s thoughts turn not only to her past—memories—but also to an imagined future, one that challenges her faith.


Reviews |

Book of Clouds, by Chloe Aridjis

by Erika Dreifus

Chloe Aridjis’s first novel, Book of Clouds (Black Cat, 2009), proves an immensely pleasurable and thought-provoking read. Tatiana, whose father owns the largest Jewish deli in Mexico City, finds herself still living in Berlin long after winning a year there from the Goethe Institute. As a self-professed “professional in lost time,” Tatiana may challenge writer-readers’ assumptions about good characterization. And yet the novel succeeds and keeps us engaged in not only Tatiana, but in the novel’s real main character: the city of Berlin.


Reviews |

Forgetting English, by Midge Raymond

by Erika Dreifus

In her impressive debut collection, Forgetting English, Midge Raymond sets her stories in a variety of locations outside the continental United States. How many other collections can you think of that contain eight stories spanning four continents: Africa, Asia, Antarctica, and North America (mainly Hawaii)? Alongside personal, human histories, Raymond incorporates larger traditions. Marriage rites. Fertility symbols. The meaning of jade. The natural history of the penguin.


Shop Talk |

recommended review: Erika Dreifus on How Fiction Works by James Wood

by Anne Stameshkin

One of my favorite blogs is Erika Dreifus’ Practicing Writing, an offshoot of her larger site The Practicing Writer, originally referred to me by Celeste. One day I’ll have to devote a long entry to the awesomeness of the many rich resources and services Erika provides to writers–most free of charge–but for now I’ll just link you to her astute review of James Wood’s How Fiction Works, a book that I’ve been both savoring and smacking against things this fall. How Fiction Works will be FWR’s next Discussion Review. If you’d like to join the conversation — I’m getting in […]




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