Popular Argentinian writer Eduardo Sacheri has said that “writing is a special way to read.” In this review of The Secret in Their Eyes, Denise Delgado explores the similarities and differences between Sacheri’s first novel and the Academy-Award winning film adaptation he helped write.
David Milch, the creator of NYPD Blue and Deadwood, will be bringing Faulker’s
literary works to HBO. Yup, you read that right. Reports the New York Times:
“I’m not, probably, the first person they would have thought of approaching them,” Mr. Milch said in a phone interview, referring to his months-long discussions with the William [...]
I don’t know about you, but when I see a movie after reading the book on which it’s based, I almost always prefer the book to the movie. Okay, there are exceptions: The Lovely Bones, for instance, where I prefered the film, and The Princess Bride—I love both the movie and William Golding’s novel [...]
What is the difference between art and life, between the writer and the writing? In this essay on the late, great Andre Dubus, we learn how Dubus recognized “transformative moments” as authors Richard Ford and Anne Beattie, among others, weigh in on his talents, and his legacy.
Where do film noir, post-communist Bulgarian fiction, and black comedy intersect? In Vladislav Todorov’s searing noir-meets-social-commentary novel, Zift. Contributing Editor Steven Wingate and Todorov discuss poisonings, the resurgence of narrative fiction in post-communist Eastern Europe, the idea that “many people enjoyed spying on their neighbors” for the state, and much more.
The announcement that Carey Mulligan has been cast as Daisy Buchanan, Leonardo DiCaprio as Jay Gatsby, and Tobey Maguire as Nick Carraway in Baz Luhrmann’s film adaptation of The Great Gastby has gotten me thinking about film adaptations in general.
I’m of two minds. Sometimes the director or actors chosen are enough to entice me. When [...]
Yiyun Li (Gold Boy, Emerald Girl) discusses with Angela Watrous what it means to be an American writer; the elusive process of revision; the art of transforming stories into screenplays; and the act of talking aloud to famous dead writers.
Brian Bartels talks with David Ebershoff–author, editor-at-large for Random house, and Columbia professor–about such topics as the role research plays in his writing, writing the book you want to read, the advice his gives his students about drafting, and how he approaches revision.
Peter Selgin’s debut novel, Life Goes to the Movies, is based in large part on his experiences growing up in New York in the 1970s. JT Torres talks to the author about bringing fact to fiction, strategies for the revision process, why identity is so important in his work, and more. Following the interview is an exclusive excerpt from Selgin’s novel-in-progress, Hattertown.
Adaptations usually go from novel to film (okay, unless you’re Dave Eggers, in which case all bets are off). But later this month, Rick Moody will publish The Four Fingers of Death—a 700-page novel involving a (fictional) novelization on the B-movie The Crawling Hand. io9 takes a closer look at the novel:
It’s the [...]
