Jesús Ángel García’s debut “transmedia” novel, badbadbad is fast, fun, irreverent, and unlike anything else in the fiction aisle. Starring a lead character who shares the author’s name, the book follows his descent from devout webmaster to the obsessed savior of a pornographic social network. Also included: a documentary, a soundtrack, a chapter-by-chapter YouTube playlist.

Little jaunt to the underworld? Don’t forget your passport. The second installment in Lev Grossman’s Fillory series, The Magician King, continues to play with realist fantasy and the right amount of irony to meld the two. Quentin and his pals provide a sly and subversive fairy tale for grown-ups, with a caution: be careful what you wish for. You might get it.

Ever feel like reading genre without, you know, knowing what to expect? Cam Terwilliger on why Percival Everett’s Assumption—one volume, three mystery novellas—will kick your [ahem] assumptions to the curb.

Caroline Preston’s fourth novel, The Scrapbook of Frankie Pratt, recreates the rush of standing in a dusty corner of a used bookstore, flipping through a shoebox of old photos, and finding something that seems to tell a secret story.

A bookish fifteen-year-old breaches taboos in the small New England town of Wick. Poet Rebecca Wolff’s masterful first novel is an Appalachian folk ballad rendered gothic–full of sex and ghosts, mixing caution and temptation, obsessed with origins but somehow timeless.

The appeal of Jo Ann Beard’s coming-of-age novel In Zanesville transcends both age and gender.

Editor’s note: As part of our focus on teaching this month, we’re delighted to present this guest post by Kevin Haworth.
People tell me that I am a poetic writer.
My response to this characterization varies from Thanks! to What does that mean? to Yes, my novel did sell like poetry to I want people to love [...]

North Carolina’s esteemed novelist, short story writer, teacher, and former poet laureate Fred Chappell came along at a critical moment in my writing life: when I was starting to hear voices.
Trained as a journalist but always identifying as a writer, I resumed a childhood poetry habit after it had been on hiatus during college. [...]

AWP provided a perfect opportunity to discover what has captured the imaginations of fellow writers with vastly different viewpoints. One such writer is Eric Hendrixson, who introduced me to Bizarro fiction. As Hendrixson described his novel, Bucket of Face, I realized I’d been completely unaware of this genre that Horror World calls “the literary equivalent [...]

Fiction writers are sometimes the first to prostrate themselves and say they don’t get poetry, but these five recommendations have been hand-picked for prosers: Post Moxie by Julia Story, Thin Kimono by Michael Earl Craig, Noose and Hook by Lynn Emanuel, The Madeleine Poems by Paul Legault, and American Fanatics by Dorothy Barresi.