After finishing a book you love, is it hard to move on? How long do you wait to open another — and how do you shake that feeling it won’t measure up to the last?
On the Kenyon Review’s KR Blog, Elizabeth Ames Staudt considers this dilemma:
An insistence on finding a book that’s impossibly [...]

We’ve seen a lot of book adaptations lately, from Where the Wild Things Are to Precious to The Lovely Bones. Screenwriters and directors cut scenes here and add scenes there to transform the book into a cohesive viewing experience. A good adaptation can be a brand-new work of art. But in the [...]

McGurl, a professor of English at UCLA, is a literary scholar who actually likes writers. More amazingly, he likes MFA programs. In The Program Era, published by Harvard University Press, McGurl argues that the rise of the MFA program in the twentieth century made a uniquely significant contribution to the excellence of postwar American literature.

Does having a history makes an object more valuable? Part writing project, part community art, part economic study, the Significant Objects project intends to find out. The project asks writers to invent a story for a thrift-store object–each costing just a few dollars–and then posts the object on eBay, with the fictional story [...]

What is The Glister? To my dismay as a reviewer but my delight as a reader, John Burnside’s seventh novel defies encapsulation. The title itself suggests the book’s strangeness: the word, a synonym of “glitter,” seems composed of equal parts “glisten” and “blister.” In the way it compounds beauty and ugliness, it is a microcosm of the book as a whole. The Glister is neither a straightforward horror story nor an allegory à la Animal Farm, though at times it masquerades as both.

I love controversial books. Banned books, books by authors with pseudonyms and false identities, fictional books that have been passed off as non-fiction, books that take risks, and even books that play with a reader’s mind. I love these types of books because they push the envelope and help to expand our concepts of what makes something worth reading. They are experimental, and just as in the scientific world, these experiments may bring more questions than insights. Jon Paul Fiorentino’s first novel, Stripmalling, is one such book.