Ever wish your problems would disappear? Jessica Gregson’s history-laced debut (released this week in the U.S. by Soho Press) follows a village of Hungarian women who “make angels” of abusive husbands. But it doesn’t end there. Yank on your rain boots and follow her into a complicated rural wasteland for a bracing read.
Daniel Orozco’s debut has been a long time coming. Now fans of his prizewinning fiction can enjoy an entire collection, Orientation: And Other Stories. Michael Shilling calls him in Idaho to talk geographic love letters, G. Gordon Liddy, and the peculiar challenge of gimmicks.
Donald Lystra, who published his first novel Season of Water and Ice after retiring from a career as an engineer, talks about making the transition from engineering to writing, publishing with a small press, winning a Midwest Book Award, and what people get wrong about the 1950s.
Charles Dodd White’s debut novel, Lambs of Men (Casperian, Nov. 2010), unfolds in the Appalachian mountains of North Carolina immediately following World War I. After serving in the trenches of France, Hiram Tobit returns to the hills as a Marine Corps recruiter. Hiram’s homecoming dredges up an unhappy past—the last person he wants to [...]
Aaron Cance interviews Jonathan Evison about his new novel, West of Here, a rich and complex self-examination, a study of the struggle between the human need to move forward and the historical inertia that is the result of our congested lifestyles. Its flawed, yet sympathetic cast of characters is compelling, as are the philosophical questions it poses. Although it will assuredly take its rightful place in the canon of American Western fiction, readers would do well to think of this work as something more than just another novel.
As the annual observance of Yom Hashoah (Holocaust Remembrance Day) approaches, Erika Dreifus discusses the literary kinship among works from an emerging cohort of “3G” (third-generation) Jewish writers: Julie Orringer’s The Invisible Bridge, Alison Pick’s Far to Go, and Natasha Solomons’ Mr. Rosenblum Dreams in English.
A tale of two Londons—present-day and the glitter and doom of the 1920s and 30s—and a shoebox containing a mystery lie at the heart of Kathleen Tessaro’s delectable fourth novel, The Debutante. Lauren Hall calls the book a “fast-paced and enjoyable ride,” equal parts historical mystery and smart, gossipy love story.
Robin Oliveira’s debut novel, My Name is Mary Sutter, tells the story of a woman hell-bent on becoming a surgeon at a time when no woman in this county had been admitted to medical school—during the Civil War. The novel’s richly described world both helps us imagine the setting and leads reviewer Helen Mallon to this question: How can research best represent a world in historical fiction?
Erzsebet Bathory gained immortal fame as one of the first female serial killers; known as the “Bloody Countess,” she was accused of brutally torturing and murdering over six-hundred young women. But was she really an unrepentant, psychopathic murderer—or simply a political obstacle to the king? Was she really bathing in the blood of her victims, or was she herself the victim of a witch hunt? Such questions haunt the pages of The Countess (Crown, 2010), Rebecca Johns’s lively historical novel, which reconstructs the complexity of this 17th century scandal and brings alive the woman behind the myth.
In her conversation with novelist Tracy Chevalier, Felicity Librie uncovers how research fuels the process of character development, how the past sheds light on our present moment, and why Chevalier will never tire of getting lost on a journey of discovery.
