Posts Tagged ‘how fiction works’

The Truth About Fiction: An Interview with Peter Selgin

The Truth About Fiction: An Interview with Peter Selgin

Peter Selgin’s debut novel, Life Goes to the Movies, is based in large part on his experiences growing up in New York in the 1970s. JT Torres talks to the author about bringing fact to fiction, strategies for the revision process, why identity is so important in his work, and more. Following the interview is an exclusive excerpt from Selgin’s novel-in-progress, Hattertown.

Prayer, Inquiry, Memory: An Interview with Anthony Doerr

Prayer, Inquiry, Memory: An Interview with Anthony Doerr

Anthony Doerr’s newest collection, Memory Wall, was published by Scribner in July. Christopher Mohar talks with the author about such topics as the politics of writing, the importance of curiosity, the role science plays in his fiction, why he likes the novella as a form, and how we can successfully inhabit characters different from ourselves.

<em>Concord, Virginia,</em> by Peter Neofotis

Concord, Virginia, by Peter Neofotis

The yarn-like stories that make up this debut collection recount the life of an imagined town in northern Virginia. Unlike a traditional collection, Neofotis chooses an oral storytelling method to structure these stories, utilizing the conceit that the narrator is not just the vehicle through which we are relayed the narrative but an actual character himself, one who sits down beside us to spool out poignant stories, juicy pieces of gossip, and far-fetched legends from his small town.

Learning About the Dark: An Interview with Ron Carlson

Learning About the Dark: An Interview with Ron Carlson

“Whatever you do, stay in the room.” So advises Ron Carlson in his book on the craft of writing, appropriately titled Ron Carlson Writes a Story. He knows what world exists on the other side of the door: a world full of televised sports, dirty dishes, iced mochachinos. A world full of distraction from the task at hand. Writing, he argues, is about staying in the room, pushing beyond the point where your eyes glaze over and your fingers refuse to type. That’s where the magic lies.

The Landscape of Fiction: An interview with Allan Gurganus

The Landscape of Fiction: An interview with Allan Gurganus

Dana Kletter sits down to talk with famed fiction writer Allan Gurganus. Their conversation ranges from sexuality to southerness, from his affinity for the 19th century to how reading the work of fellow writers can be a shaping force in one’s fiction, from gardening between paragraphs to Halloween political activism, and plenty more about teaching and the craft of writing.

<em>Microchondria</em> Short Short Story Anthology

Microchondria Short Short Story Anthology

Last month we announced the Harvard Book Store’s short short story contest. In honor of the shortest month of the year, the store was seeking submissions that were both short in length (less than 500 words) and written during a brief period of time (between February 1-17). The results have now been posted, and we [...]

Elephants and Online Fiction: An Interview with Michael Czyzniejewski

Elephants and Online Fiction: An Interview with Michael Czyzniejewski

Author of the recently published short story collection Elephants in Our Bedroom, Michael Czyzniejewski grew up in the Chicago suburb of Calumet City, Illinois. He graduated from the University of Illinois in 1995 with a degree in rhetoric, and two years later, he received an MFA in fiction from Bowling Green State University.

NPR's "Three-Minute Fiction" contest

NPR’s “Three-Minute Fiction” contest

The flash-fiction / short-short-short trend continues…
For Round II of this contest, NPR invites writers to submit an original work that begins with this sentence:
“The nurse left work at five o’clock.”
Instructions, via the site:
One entry per person, and no more than 600 words, please. Stories must be received by 11:59 p.m. EDT on Tuesday, Aug. [...]

<em>How Fiction Works</em> Discussion Review

How Fiction Works Discussion Review

Anne Stameshkin, Greg Schutz, Celeste Ng, Natalie Bakopoulos, and Jeremiah Chamberlin lead a series of discussions on critic James Wood’s latest collection of essays, How Fiction Works.

The caliber of umbrage it rouses in me cannot be contained by my usual disparagements.

The caliber of umbrage it rouses in me cannot be contained by my usual disparagements.

I’m thrilled to announce that Colson Whitehead has joined our discussion review. Well, OK, not quite…but he did pen a rib-tickling pastiche of How Fiction Works–“Wow, Fiction Works!”– in Harper’s (digested-read style). Fellow Wood readers (and really anyone), enjoy.
Here’s a taste:
Of the “perfect” sentence The quick brown fox jumped over the lazy dog, Whitehead-as-Wood [...]