Recently we discussed a Times article about why comic novels often get overlooked when it comes to literary awards. Over at BlackBook, author and Columbia professor Sam Lipsyte adds his thoughts on the status of funny fiction today:

Do you feel that literary fiction is afraid to make people laugh these days?
I think there’s a [...]

In the art world, comedy seldom gets its dues: if it’s funny, many assume, it can’t also be “real” art. At the Oscars a couple of years back, Will Ferrell, Jack Black, and John C. Reilly lamented the plight of “A Comedian at the Oscars”: “the saddest man of all / Your movies may [...]

First came blog-based books like Julie and Julia. Then came books based on Internet memes like LOLcats. Recently we’ve seen a spate of Twitter-based books, ranging from Matt Stewart’s novel The French Revolution to TwitterWit to Justin Halpern’s Shit My Dad Says.
How far will the trend go? Now, even your Facebook status [...]

What aspiring novelist doesn’t dream of early fame? Granted, it’s a willfully suppressed narrative—unwritten, unspoken, and perhaps for a noble few, unimagined—but most writers have contrived versions of a meteoric rise to literary success along with more prosaic early fictions. And, given the chance, who would shunt the regard of established authors, modest financial gains, and possible tenured teaching position that await? How I Became A Famous Novelist (Grove/Atlantic, July 2009), Steve Hely’s debut novel, uses this condition as pretext for rollicking satire.