From the Archives: as the annual observance of Yom Hashoah (Holocaust Remembrance Day) approaches this Sunday, we return to a 2011 essay by Erika Dreifus on the literary kinship among fictional works from an emerging cohort of “3G” (third-generation) Jewish writers: Julie Orringer, Alison Pick, and Natasha Solomons.
“My final suggestion is to feel free to ignore all of the above advice or any other ‘shoulds'”: Ann S. Epstein with Danielle LaVaque-Manty on self-teaching, researching historical fiction, and her debut novel, On the Shore.
Debra Spark on what’s funny in fiction—and what’s not. “The humor that works in literary fiction, the humor I like, is female. I mean ‘female’ in a pretty stereotypical way here. I don’t mean that the literary work is by women, per se, but that it is relational.”
“The stories I love most are the ones that feel novelistic in scope, where you can feel the writer pouring absolutely everything [they have] into the story, until there’s nothing left in them and they have to try to imagine an entirely new world.”
Hello again, FWR friends. Welcome to the second installment of our new blog series, “First Looks,” which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. Here are just two of the many intriguing books scheduled to be released before we meet again one month from now: A few weeks ago, I received an email from […]