“In Slimani’s novel, the burden placed upon women to care for children balances alongside the treatment and perceptions of immigrant women. And rendering these issues to subtext, rather than treating them head-on and politically, the narrative forces the reader to become complicit in the shoddy treatment of others for the sake of convenience and creature comforts.”
In the introduction to their forthcoming translation of Apollo in the Grass: Selected Poems, by Aleksandr Kushner, Carol Ueland and Robert Carnevale write that “translators simply have to admit that most of the music of most all lyric poetry, and most of its phenomenal presence, stay at home, in the native tongue. But ‘music of language’ is a metaphor.” Ian Singleton examines how this claim plays out in their translation of Kushner’s poetry.
“No relationship is entirely transparent. More important, our understandings of relationships evolve and shift—knowledge dawns on us, bit by bit with new information, context, and different points of view. How two bodies interact in unseeable places and ways can tell an entire story, whether particular…or universal.”
Hello again, FWR friends. Welcome to the latest installment of our “First Looks” series, which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. Requiem, by Frances Itani: We try to spotlight emerging authors here at FWR, and I thought I was living up to that mission when I began looking into Requiem, by the Canadian […]
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