Maile Meloy in an interview From the Archives: “I think you have to find an emotional connection to the story, to make anyone else care about it, but I would find writing only what I know to be limiting.”
Through prose that is concise, confident, and empathetic, Malie Meloy evokes what David Foster Wallace called the “plain old untrendy human troubles and emotions” of life, and treats them with “reverence and conviction.” Joshua Bodwell talked with Meloy about her newest collection, Both Ways Is the Only Way I Want It, the craft of writing short fiction, and the art of finding the right voice for a story.
In Malie Meloy’s most recent collection, Both Ways is the Only Way I Want It, there are no clear lines, no obvious right answers. Meloy’s characters are caught between two choices that are both right—or both wrong—and that’s what makes their decisions so difficult, and makes these stories so compelling. In reading them, you feel, as the author puts it, “both the threat of disorder and the steady, thrumming promise of having everything [you] wanted, all at once.”
