Big events alone do not a memorable story make. Celeste Ng on why certain stories succeed, and leave a lasting impression.

The Millions has a wonderful essay by Jeffrey Eugenides on his process of writing his latest novel, The Marriage Plot. It began with what he called “an act of literary adultery”:
In the late 90s, during an impasse in the writing of Middlesex, I put the manuscript aside. (I hadn’t fallen out of love, exactly, [...]

ast week, Spider-Man: Turn Off the Dark fired its director, Julie Taymor. Already the most expensive musical in Broadway history, Spider-Man has been universally panned by critics—and it hasn’t even officially opened yet.
The show’s decision to let Taymor go was apparently in part due to her refusal to alter the script, even [...]

“Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.” —Wallace Stegner, On Teaching and Writing Fiction

Grub Street is an independent not-for-profit writing center in Boston that runs writing classes as well as an annual literary conference, The Muse and the Marketplace. At the most recent Muse, Chuck Palahniuk was the keynote speaker, and even if you missed the conference, you can watch his speech below. Palahniuk tells the [...]