Mary Stewart Atwell talks with Alan Heathcock as part of her interview series with writers of rural fiction, undertaken in partnership with The Art of the Rural. The two discuss Heathcock’s debut collection, Volt, as well as his Midwestern influences, film, politics, and more.
“I think this is the true defining literary tradition of the Midwest: all the things we don’t say”: Kali VanBaale chats with Donald Quist about her new novel from Midwestern Gothic Press, The Good Divide.
“William Gass’s ‘In the Heart of the Heart of the Country’ stands as an answer for what it means to write from the Midwest. Told in thirty-six discrete sections, this story is a devastatingly gorgeous meditation on loss and the rhythms of the Midwestern landscape.
Nina Buckless talks with Peter Orner about his most recent collection, Last Car Over the Sagamore Bridge, as well as writing silence, where characters think they belong, and how gossip can reveal story.
Our current feature is Chad Simpson’s debut collection, Tell Everyone I Said Hi, which was the winner of the 2012 John Simmons Short Fiction Award from The University of Iowa Press. Chad was raised in Monmouth, Illinois, and Logansport, Indiana. His stories and essays have appeared in McSweeney’s, The Sun, Esquire, Barrelhouse, American Short Fiction, and many other print and online publications. He also is the author of a chapbook of short fiction, Phantoms, published by Origami Zoo Press in 2010. A recipient of an Illinois Arts Council fellowship in prose, he teaches at Knox College in Galesburg, Illinois, where […]
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