Huong’s sixth novel in translation imagines the final days of Vietnam’s Ho Chi Minh in a project of Tolstoyesque landscape and character.

A debut collection focused on quiet lives that intersect, collide, and separate – forever altered by the encounter.

Jonathan Lethem discusses our unwillingness to let go of the Tinkerbell-myth of benevolent power, MFA programs, the idea of New York City as a Ponzi scheme, why in some ways subcultures are all that exist, and his past and future work in this wide-ranging interview with Roohi Choudhry.