TV, greed, comfort, surprise: but a few of the reasons sequels bewitch us. Why we love more – more story, more character. How sequels draw us in, why we crave them, and which ones we’d pay a million bucks to see in print.

His debut collection features sentimental Vikings, hungover moose-hunters, and fuming stepsons, among other luckless men. Wells Tower talks jokes, beauty, and painful, teeth-gnashing revision with Rebecca Scherm.

Nicole Louise Reid’s So There! is a book of harrowing and darkly funny short stories about original, compelling characters refusing easy answers, seeking out lives that share a property line—maybe even a driveway—with Death.

Musical, prayerful, mindful, compassionate—FWR’s Aaron Cance talks with Melanie Rae Thon (The Voice of the River) about what these qualities mean in fiction and in life.

Viva Cuba! Myth, magic, ghostly remains: Ana Menendez’s latest story collection, Adios, Happy Homeland! shadows people on the run from their circumstances and themselves. The journalist and Pushcart Prize-winning author talks communal bonds, fictional bibliographies, the elusiveness of identity, and much more.

In conversation with Julie Judkins, author Scott Nadelson discusses how the “mad mystic hammering” of Bob Dylan inspired him to become a writer, why being a formerly reluctant reader informs his teaching, and how New Jersey has evolved in his fiction from an actual place to a state of being.

I’m thankful for many things this Thansksgiving–friends, family, bits of good fortune large and small that have come my way over the past year. But in terms of stories, there’s one I’m eternally grateful for: Julie Orringer’s “Pilgrims.”
I first encountered “Pilgrims” in The Best New American Voices 2001, where it was the lead-off story. [...]

V. Jo Hsu considers Rahul Mehta’s debut story collection, which she says addresses issues connected to sexual, racial, and cultural identities in artful ways, and through evocative language.

We don’t usually think of Halloween as a “reading” kind of day, but I can think of at least a couple of Halloween-related stories.
In Lorrie Moore’s classic short story “You’re Ugly, Too,” a history professor escapes her life by visiting her sister over Halloween weekend–to attend what may be the most painfully awkward [...]

“Thunderstruck,” Aaron Cance describes his reading of Bruce Machart’s two debut books: a novel, The Wake of Forgiveness, and a story collection, Men in the Making, out this week. They also discuss the themes of faith, masculinity, and love, and how a New England basement is a helpful metaphor for writing.