Jess Row’s second collection of stories, Nobody Ever Gets Lost, is an examination of some of our most intense impulses, and the debates, quandaries, and mysteries in these seven stories will stay with you. Charlotte Boulay talks to Jess Row about the intersection between compassion and extremism.

It may have been written before I was born, but Lorrie Moore’s debut collection Self-Help holds a special place on my bookshelf. Maybe it’s because it was Moore’s MFA thesis from Cornell, or maybe it’s her complete disregard for standard writing rules, but the collection brought me into a world I didn’t want to leave. [...]

Siobhan Fallon’s debut story collection You Know When the Men Are Gone lets readers into a secret world of military families. Behind perfectly manicured lawns and Family Readiness Groups, Fallon’s stories reveal the stress of repeated deployment, wounded service members, and the difficulties of homecoming. Beth Garland, herself a military spouse, reviews a collection infused with “grief, heroism, and bitter disappointment.”

I adore all of The Pale of Settlement (2007), a collection of linked stories by Margot Singer that won the Flannery O’Connor Award for Short Fiction, the Glasgow Prize for Emerging Writers, and the Reform Judaism Prize for Jewish Fiction. I’ve reread the entire book. But the story that I’ve returned to most often—many times—is [...]

This week’s featured title is Josh Weil’s story collection The New Valley. Weil was born in Roanoke, Virginia, to a family of would-be “back-to-the-landers.” With an agronomist father and a mother “deeply attuned” to nature, it comes as no surprise that Weil pays such careful attention to the natural world in his writing. The New [...]

Editor’s note: As part of our Short Story Month celebrations, we’re delighted to present this guest post by agent Julie Barer of Barer Literary.

I once dated a man who shared my taste in fiction almost completely. Diehard fan of the often overlooked Canadian writer Robertson Davies? Check. Particularly drawn to novels that played with genre [...]

Last week we featured Edith Pearlman’s story collection Binocular Vision as our Book-of-the-Week title, and we’re pleased to announce the winners: Susan Ashley Michael, Mimi Asnes, and Christine Ha. Congratulations!
To claim your signed copy of this collection, please email us at the following address:
winners@fictionwritersreview.com
To anyone who’d like to be eligible for our future drawings, [...]

A short story collection I re-read at least once a year is Connie Willis’s Impossible Things. It begins with the obligatory Lewis Carroll epigraph, but then adds another from Auden: “Nothing can save us that is possible.” One of Connie Willis’s overarching themes is communication: what do we say to each other and, of those [...]

Editor’s note: As part of our continuing celebration of Short Story Month, we’re delighted to present a guest post by Laura Furman, editor of the PEN/O. Henry Prize Stories.

Each year, I choose the twenty stories to be included in The PEN/O. Henry Prize Stories. Once I’ve gathered them in a manuscript without attribution of [...]

Nobody advised Josh Weil to write three novellas for his first book, The New Valley, but that’s what he did. Mary Westbrook and the author talk about the stories behind the novellas and how well-intentioned advice can lead writers astray.