Ben Fountain made a lot of noise with his prize-winning collection Brief Encounters with Che Guevara. Turns out he can write a damn fine novel, too.

Beneath an unassuming demeanor, Pushcart Prize-winning Robert Garner McBrearty writes stories of the revolution. The former dishwasher on the mythologies of the American West, the bravery of small presses, Colonel William B. Travis, and why he feels solidarity with scrappy underlings.

This week’s feature is Margot Livesey’s new novel, The Flight of Gemma Hardy, which was published last week by HarperCollins. Livesey is the author of six previous novels: Homework (1990), Criminals (1996), The Missing World (2000), Eva Moves the Furniture (2001), Banishing Verona (2004), and The House on Fortune Street (2008). Her first book, Learning [...]

In her seventh novel, The Flight of Gemma Hardy, Margot Livesey updates Charlotte Brontë’s Jane Eyre so smoothly and skillfully that you’d barely even notice.

In her eighth book—and fourth novel—Leah Hager Cohen explores the dynamics of grief and mourning with her trademark curious mind and loving attention to detail. Steven Wingate and the author discuss “otherness,” withholding judgment on characters, and the importance of ritual.

This week’s feature is Miroslav Penkov’s debut collection, East of the West, published this year by Farrar, Straus & Giroux. Penkov was born in 1982 in Bulgaria and came to the U.S. to study in 2001. He completed a bachelor’s degree in Psychology followed by an MFA in Creative Writing at the University of Arkansas, [...]

Writers are continually told to trim their work down, but is that always the best course of action to follow? Not if you don’t know why.

Bulgarian-American author Miroslav Penkov’s debut short story collection East of the West (Farrar, Straus & Giroux) comes at a time when his native country’s literary star is on the rise in the west. In this auspicious moment, Penkov delivers a heck of a book.

How does one teach those phenomenal, force-of-nature fiction writing students who walk into a classroom with their own identities? With the expectation that the teacher will change, too, writes Steven Wingate in his latest Quotes and Notes column.

In the midst of a stellar authorial career and after a quarter century of teaching creative writing, Bret Lott takes a moment to talk about sending students in the right direction, maintaining a sincere workshop practice, and keeping your writing (and reading) life alive as you teach.