Daniel Orozco’s debut has been a long time coming. Now fans of his prizewinning fiction can enjoy an entire collection, Orientation: And Other Stories. Michael Shilling calls him in Idaho to talk geographic love letters, G. Gordon Liddy, and the peculiar challenge of gimmicks.
This week’s feature is Miracle Boy and Other Stories, by Pinckney Benedict. Published this year by Press 53, the collection features a misfit cast of characters from the mountains of West Virginia. Known by names like “Lizard” and “mudman,” their very out-thereness commands the respect of reader. These backwoods folk may be wildly different from [...]
Shawn Mitchell gets under the hood of Pinckney Benedict’s Miracle Boy and Other Stories to see how the author manages to pack an apocalypse into each story. In his newest book, Benedict revisits his Appalachian heritage and peoples it with mythological bulls, dogs, mudmen, and robots.
In her pithy introduction to the recent Granta Book of the Irish Short Story, Anne Enright waltzes around the question that all anthology editors seem obligated to address: what makes a short story a short story? And, in the case of this anthology, what makes the Irish short story exceptional?
Enright considers, rejects, [...]
Renowned for her stirring and insightful stories about Haitian life, Edwidge Danticat recently turned her eye to genre as the editor of Haiti Noir, part of Akashic Books’ noir series. The book was published in December, following the 2010 earthquake in Haiti. Danticat discusses the disaster’s impact on the book and the way that noir captures some of the mystery, darkness and complexity of her homeland.
Two recent releases from Dzanc imprint Keyhole Press expand the scope of literary fiction. How to Predict the Weather by Aaron Burch and How They Were Found by Matt Bell create provocative new worlds in their debut collections of short stories. Consistent with this press’s production of thought-provoking fiction, Burch and Bell unravel beautiful and unsettling tales with exquisite prose.
This week’s featured title is Edith Pearlman’s story collection Binocular Vision. The consummate short story writer, Edith Pearlman has published more than 250 works of short fiction and non-fiction over the past four decades. Her fiction has appeared in Best American Short Stories, The O. Henry Prize Stories, New Stories from the South, the Antioch [...]
In Binocular Vision: New & Selected Stories, Edith Pearlman grabs the reader’s attention and never lets it go. In this review, Andrea Nolan looks at some of Pearlman’s first lines and examines how her stories are united through character, theme, and place.
In 1990, Stephanie Vaughn published her debut collection of short fiction, Sweet Talk. Critical reception was overwhelmingly positive. A reviewer for Mother Jones Magazine wrote, “There is not a weak story in Sweet Talk and few are less than spectacular … Hers is a wise, touching, extraordinary voice—the sort rarely achieved at the end of a gifted career, let alone at the beginning.” To date, Vaughn’s first book has also been the only one her adoring fans have seen.
Tyler McMahon loves short stories but worries that collections might be the worst thing to have happened to the genre. However, books like Alan Heathcock’s Volt renew his faith in the collection as an art form of its own, one that makes its stories inseparable from one another—greater even than the sum of their parts.
