“When I was asked whether I’d be interested in taking part in a panel on turning the MFA thesis into a first book, I said yes right away, but I wasn’t sure what I could contribute. In fact, I felt like a bit of a fraud because my journey from the thesis to the published book was so long and roundabout. But I’ve convinced myself that this is part of what makes my story worth telling here, because long and roundabout might be just as common as quick and straightforward, and my particular kind of roundabout experience makes me feel emboldened to give certain bits of advice.”

Charles Johnson taught creative writing at the University of Washington from 1976 to 2009. He is the author of numerous books, including the National Book Award-winning Middle Passage. Zachary Watterson, one of Johnson’s former students, talks with his mentor about the literary friendships that have influenced the author’s more than forty-year writing career.

If you’re reading the FWR blog furtively, hunched in your cubicle over your TPS reports, this post is for you. You are not alone: almost all writers need a day job to support their art. Lapham’s Quarterly reveals the day jobs of some famous writers, such as Charlotte Bronte, Franz Kafka, and William [...]

Inspired by Elmore Leonard’s 10 Rules of Writing, the Guardian recently asked several contemporary authors for their own rules of writing. Writers such as Margaret Atwood, Annie Proulx, Jonathan Franzen, Philip Pullman, Zadie Smith, and many others answered the call ((Here’s Part One; and here’s Part Two).
You may have noticed that at [...]

Through prose that is concise, confident, and empathetic, Malie Meloy evokes what David Foster Wallace called the “plain old untrendy human troubles and emotions” of life, and treats them with “reverence and conviction.” Joshua Bodwell talked with Meloy about her newest collection, Both Ways Is the Only Way I Want It, the craft of writing short fiction, and the art of finding the right voice for a story.

So you didn’t win the auction for Cormac McCarthy’s typewriter. (Ahem–if you did, we know a great literary site that you could support as well!)
For everyone else without a spare $254,500, we offer this interview with McCarthy in theWall Street Journal, available online for free. In the wide-ranging conversation, McCarthy discusses the [...]

Over at The Millions, Sonya Chung’s essay “The Mommy Problem” throws more questions at a question I’m still trying to answer. I, too, have indulged in her habit of close-reading women writers’ biographies for suggestions of children and clues as to their familial satisfaction to productivity ratio. While the argument over how writers should spend [...]

The Wall Street Journal has a fascinating look at how several writers get down to business–from writing in blue exam books to dressing in character to collage-making. Some highlights:
Orhan Pamuk:
Mr. Pamuk writes by hand, in graph-paper notebooks, filling a page with prose and leaving the adjacent page blank for revisions, which he inserts with [...]

As Gwen announced last week, it’s NaNoWriMo (National Novel Writing Month), the annual challenge to write a 175-page (50,000 word) novel during the month of November. How many of you are taking part? We have at least one FWR editor and one contributor on the scene, and so far they’re keeping up with the wordcounts. [...]

For a few Novembers now, I’ve been dimly aware that a few thousand people around the world were doing some weird writing thing during one of the busiest months of the year. NaNoWriMo: National Novel Writing Month. 50,000 words — a whole novel — in one month. No editing, no going back, no working on [...]