Marriage as ethnography: Philip Graham talks with Angela Woodward about her novel End of the Fire Cult, in which a man and woman invent competing civilizations that mirror their “real” lives.
Philip Graham speaks with his former student Rosalie Morales Kearns about her debut collection, as well as how to enter different points of view, the legacy of colonialism in Caribbean history and Caribbean literature, and why the trickster answers so many questions.
Our current feature is William Gillespie’s new novel, Keyhole Factory, which was just published by Soft Skull Press. Gillespie is the author of several small-press books, an award-winning hypertext novel, and the world’s longest literary palindrome. He was granted an MFA from Brown, where he received one of the first MFAs in Electronic Writing. His work has appeared in American Book Review, Context, The Review of Contemporary Fiction, and the &Now Award Anthology. He is also the founder of Spineless Books, an innovative literary press “with an emphasis on collaborative writing, formal experimentation, and utopian thought.” Gillespie lives in Urbana, […]
Philip Graham speaks with his former student William Gillespie about his debut novel, as well as the mind-warping narrative strategies of the pulp writer Harry Stephen Keeler, story maps, and DIY publishing, among other things.
Surprising Things Can Happen: An Interview with Kristen Roupenian
Part of a Bigger Conversation: An Interview with Rebecca Makkai
If You See Me, Don’t Say Hi: An Interview with Neel Patel
Sometimes Taking Things Out Counts as Writing: an Interview with Celeste Ng
Influences: An Interview with Tobias Wolff
Stories We Love: “Blue Lenses,” by Daphne Du Maurier
Stories We Love: “White Angel,” by Michael Cunningham
Stories We Love: Donald Barthelme’s “The School,” In Which is Revealed the Meaning of Life
Stories We Love: "A Small, Good Thing" by Raymond Carver
Stories We Love: "The Fall River Axe Murders," by Angela Carter
