Frieda believed loneliness was at the root of mental distress....There, especially,...
“This book is not really me looking into that world, but rather me looking out from it. Writing the novel was not so much an intellectual exercise as it was an empathetic one.” Simon Van Booy talks with Jennifer Solheim about his new novel, Night Came with Many Stars.
Elaine Neil Orr on the mysterious process of fiction writing and the faith it takes to attempt it.
“When we busy ourselves too much with keeping up appearances, we might not hold enough space for authenticity, intimacy, and engagement with the world bigger than our own.” Melissa Scholes Young talks with Steven Wingate about her new novel, The Hive.
Dorothy Reno talks to Ellen Prentiss Campbell about her new novel, Frieda’s Song, which imagines the private life of eminent German American psychotherapist Frieda Fromm-Reichmann, and explores her legacy in the therapeutic community.
“I started this novel because I wanted to write about pick-up basketball, because I loved it, and I didn’t understand why it felt almost holy in my memories…I just wrote about the love and the fulfillment of that experience, and it exposed other things—darker things, more painful things.” Walter Moore talks with J.T. Bushnell about his debut novel, The Step Back.
“Like my predecessors, I want to show us grappling, resisting, and (hopefully) healing, to show our full humanity in a country that was not designed with our freedom in mind, and in which those freedoms are still threatened, daily.” Deesha Philyaw talks with Melissa Scholes Young about her award-winning collection, The Secret Lives of Church Ladies.
“Despite how powerfully the objects of our lives might obsess us or orient our attention, they are but one aspect of a larger lived experienced.” Costa B. Pappas on Clare Sestanovich’s debut collection, Objects of Desire, out soon from Knopf.
“Where Murakami truly shines in this collection is where he always has as a writer: when what’s on the page departs reality, when it embraces the odd and the strange.” Travis Holland reviews Haruki Murakami’s newest collection.
“Maybe how we choose to tell the stories of our pain can allow us to turn that pain into something greater, something necessary, something that might ease the pain of others.” Karin Killian on narrative technique in Lauren Groff’s “The Wind.”
“Ethnographic fiction, and all fiction in general, depends on Kierkegaardian leaps of imaginative faith, which is not the same thing as an ‘anything goes’ world in which facts don’t matter.” JT Torres on variation and verisimilitude.
