From the Archives: “When structure is done well, it should be like architecture: you sense the overall feel of the building—tall, or airy, or strong—but you’re not looking at the buttresses that hold it up or the seams where parts are fastened together.”
“I think when I look at culture I’m trying to look beyond two opposing worlds. I’m looking at the smaller works at play. Family culture. Work culture. In many of the stories in the collection some of these come in conflict with one another.”
Rone Shavers talks with Karen Tei Yamashita about her National Book Award shortlisted novel I Hotel, and in the process the two touch on everything from the role of history and memory to the process of writing, to what one’s politics and culture says about the nature of storytelling itself.
Lysley Tenorio, author of the hotly-anticipated debut collection Monstress, on secret identity politics, the risk of becoming “that Filipino writer,” lightness and darkness in fiction, and Peter Cetera.
