Stories We Love: “My Son the Murderer,” by Bernard Malamud
“And yet, it works. Not only does it work, it’s essential to the story. The form is the story.” Kent Kosack takes a look at Bernard Malamud’s puzzling POV-shifter, “My Son the Murderer.”
“And yet, it works. Not only does it work, it’s essential to the story. The form is the story.” Kent Kosack takes a look at Bernard Malamud’s puzzling POV-shifter, “My Son the Murderer.”
