If you write, you know.
by Celeste Ng
Next time someone asks you how your revision is going, show them this comic. It’s funny because it’s true. Wait…
Next time someone asks you how your revision is going, show them this comic. It’s funny because it’s true. Wait…
Each year Dzanc Books hosts a Write-a-Thon to raise money for their charitable endeavors–The Dzanc Prize, the Dzanc Writer-in-Residence Program, Dzanc Day, and numerous other service-oriented endeavors that put writers in communities and classrooms around the country. This year’s Write-a-Thon starts today and runs through Sunday. Though there’s still time to participate! Sponsor a Writer The easiest way to support Dzanc is to sponsor one of the participating authors, a line-up that includes such writers as Laura Van Den Berg, Matt Bell, Eugene Cross, Kellie Wells, and Brian Sousa. Click here for the complete list. Donate No donation is too […]
Which came first, the moody teen, or the YA fiction that moody teens often gravitate towards? Linda Holmes of NPR responds to a recent Wall Street Journal editorial that criticized YA fiction for being “too dark”: I’m more intrigued by the aspirational nature of the quaint but sad idea that teenagers, if you don’t give them The Hunger Games, can be effectively surrounded by images of joy and beauty. While the WSJ piece refers to the YA fiction view of the world as a funhouse mirror, I fear that what’s distorted is the vision of being a teenager that suggests […]
Last week we featured Knuckleheads as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to: Artsieladie.com (@ArtsieladieHome) Adelphi MFA Program (@Adelphi_MFA) Mark Staniforth (@markbooks) To claim your signed copy of this collection, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us!
What happens when you take The Great Gatsby and try to make it more “accessible”? This: Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter–tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning—- So we beat on, boats against the current, borne back ceaselessly into the past. becomes this: Gatsby had believed in his dream. He had followed it and nearly made it come true. Everybody has a dream. And, like Gatsby, we must all follow our […]
The stories in PANK epitomize their founders’ spirit of innovation, and it’s this spirit that has quickly helped build the journal a loyal community. Read on to learn more about how the journal provides inspiration for writers and readers alike.
Here’s a great essay by Joyce Carol Oates on the connections between writing and running. Here’s a taster: Living for a sabbatical year with my husband, an English professor, in a corner of Mayfair overlooking Speakers’ Corner, I was so afflicted with homesickness for America, and for Detroit, I ran compulsively; not as a respite for the intensity of writing but as a function of writing. As I ran, I was running in Detroit, envisioning the city’s parks and streets, avenues and expressways, with such eidetic clarity I had only to transcribe them when I returned to our flat, recreating […]
In the conclusion to his season-long exploration of Saul Bellow’s work, Daniel Wallace tackles the sticky problem of Bellow’s endings, what happens to characters over a 50-year career, and how the author’s nonfiction illuminates his talent for storytelling and argument—perhaps even moreso than the novels.
In this two-part essay, Daniel Wallace devotes himself to the work of Saul Bellow for a season. Total immersion in Bellow’s progress as a writer reveals the perplexing philosophical problems at the heart of many of the novels, the difference between early and later books, and the unadulterated beauty of Bellow’s paragraphs.
(Editor’s note: “Stories We Love” made its debut as part of Fiction Writers Review’s Short Story Month celebration. But we love short stories year-round. So here’s another installment, courtesy of FWR contributor Tyler McMahon.) As an undergraduate, I took my first fiction-writing workshop around 1997. It didn’t go well. My peers were entrenched in Mafia stories and Christian parables. I failed to find my voice. The instructor was accepted into law school for the following fall, and declared there was no future in writing. Near the semester’s end, she invited one of her fellow graduate students, Eric Rickstad, to visit. […]
