Suspend Your Disbelief

Celeste Ng

Editor at Large

Celeste Ng is the author of the novels Everything I Never Told You  (2014) and Little Fires Everywhere (2017). She earned an MFA from the University of Michigan (now the Helen Zell Writers’ Program at the University of Michigan), where she won the Hopwood Award. Her fiction and essays have appeared in One Story, TriQuarterly, Bellevue Literary Review, the Kenyon Review Online, and elsewhere. She is the recipient of the Pushcart Prize, the Massachusetts Book Award, the American Library Association’s Alex Award, and a fellowship from the National Endowment for the Arts. She lives in Cambridge, Massachusetts.


Articles

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Get Writing: The Backwards Telescope

When I was in high school, I took a playwriting class, and we’d sit there–all of us sixteen, seventeen, eighteen–reading our work aloud around the table. Our teacher, who was about thirty, would give us pointers: that speech is clunky; this character hasn’t said anything for ten minutes. But sometimes he wouldn’t say a word: he would look at us, hold his palm in front of his face for a moment, then let it drop to the table, as if he were offering us an invisible treat. We didn’t really understand this Zen gesture at the time, but I can […]


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Thoughts on shorts: Wells Tower

“I think the best stories start from something tiny. […] A short story can easily destroy itself through metastasis. I think if you start a story with more than two scenes in mind, you may be doomed. At least you have a hell of a lot of work ahead of you. If I start off trying to get at this one little moment, that’s all I want to do. And then I have to build the world that makes that moment happen.” ~ Wells Tower Further Reading: Read more about Wells Tower on Fiction Writers Review Looking for something to […]


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Thoughts on Shorts: Valerie Laken

“With short stories, you never really expect the World at Large to care one way or the other. It’s a labor of love, and no one disputes that, and I think the purity of that endeavor is very liberating.” ~ Valerie Laken Further Reading: Read more about Valerie Laken on Fiction Writers Review Looking for something to read? Check out the Stories We Love Need inspiration? Try our Get Writing exercises


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Cooking from writing about eating

When I was in elementary school, I used to read at the dinner table (my parents were just happy I was at the table!) and I’d always save particular books for mealtime perusal. Specifically, they were books that made me hungry with their descriptions of food. There was Laura Ingalls Wilder’s Little House series, in which even a meal of yesterday’s bread with a smear of salt pork fat was treated as a feast. There was Sydney Taylor’s All-of-a-Kind Family, which was my introduction to foods I wouldn’t taste until years later: hamentaschen, challah, latkes. And in Jean Craighead George’s […]


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Books in the… tub?

Here at the FWR blog, we have a thing for books: as furniture, as clothing, even in the bathroom. But this might just take the proverbial cake: a bathtub made of books. Neatorama pointed me to the above amazing art project/feat of book-engineering by artist Vanessa Mancini, at Who Cares About That?: This bath is made entirely out of books which Vanessa cut and fitted together over a metal frame to form a bath of books, which is suspended by four antique bath tub, lion-shaped feet. She intends to later cover it in layers of resin and has already applied […]


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Verb your authors

Click on over to Urban Dictionary and you’ll soon be Faulknering.  At least, according to one of that dictionary’s definitions of “Faulkner,” which is “To go from being a nerd to getting all the hot girls.” Apparently, kids these days are giving authors’ names new meanings, and Urban Dictionary—the mass-edited compendium of language as it’s popularly used—is capturing them.  The New York Daily News has a roundup (via): Keats: One who has much intelligence, yet is reclusive and worryingly geeky. Enjoys exercising excessive control over friends and family. Wears leggings. Eats pizza only. Bronte: A girl of her own sexiness, […]


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I, He… We?

We writers gravitate towards a few particular points of view: we love the first person singular, the ultra-personal “I”; we adore the third-person limited and its inside-outside-blurring stance; we even use the omniscient and look down on our characters as if we were gods.  Now and then, we’ll try the second person to switch it up—we’ve all read Lorrie Moore’s Self-Help and thought about it, haven’t we? But what about the first person plural?  Why haven’t we, as writers, embraced this viewpoint and its potential?  A few of us—Jeffrey Eugenides, Steven Millhauser—have tackled it, but most of us just shrug […]


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"You can’t take an adult seriously when he’s debating you over why Twilight vampires are O.K. with sunlight."

What to make of Joel Stein? He’s a humor writer who (sometimes) makes serious points, and as a result, his readers sometimes miss the argument beneath the humor, or miss the humor on top of the argument. His latest essay, “Adults Should Read Adult Books,” in the New York Times, is causing quite a kerfuffle: I have no idea what “The Hunger Games” is like. Maybe there are complicated shades of good and evil in each character. Maybe there are Pynchonesque turns of phrase. Maybe it delves into issues of identity, self-justification and anomie that would make David Foster Wallace […]


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"I can't stop acquiring books…"

You think you have a problem with hoarding books? The above short film, by Sergey Stefanovich, walks you through the library of writer and critic Duncan Fallowell, which “has spilled over into every available space and become an art installation in its own right.” (Via.) Fallowell narrates, with lots of meditative insights on reading and writing: “I’m so glad I haven’t read everything–I have such a wonderful future awaiting me.” However, if you really need to clear out some space, perhaps this post by Jodi Chromey, “How I Learned to Stop Hoarding and Give Away Books,” provides the solution. Further […]