99 problems but a blurb ain't one
by Celeste Ng
There’s an art to book blurbing, as anyone who’s tried to write one can tell you. Over at the Kenyon Review, Jake Adam York takes a stab at classifying them. For example, there’s the “Lavish” type: The genre of the recommendation letter, a friend once observed, is hyperbole. Everything has to be stated in the superlative, so one reads for degrees of overstatement, hyper- and hypo-hyperbole, becoming a progressively more sensitive seismograph, searching out quavers and tremors or microscopic proportion. The blurb is a clear cousin or sibling, at least in the most common form in which sparrows of adjectives […]