How Big the Bigness Is: Part II
In Part II, Scott F. Parker considers Kesey’s ties to the “pantheon of writers whose lives threaten to overshadow their work.” What did it mean for Kesey to be “as big as he had it in him to be”?
In Part II, Scott F. Parker considers Kesey’s ties to the “pantheon of writers whose lives threaten to overshadow their work.” What did it mean for Kesey to be “as big as he had it in him to be”?
In Part I, Scott F. Parker meditates on Kesey’s influence in and around Eugene. “Everything I knew about Kesey at the time of his death I’d absorbed from the ether of Eugene,” Parker writes. “Being in Kesey’s general proximity was one of my first moments of thinking The World of Events connected at some points with the world outside my window.”
Tim Z. Hernandez’s Breathing, In Dust rips along like one of the trains whose wheels sing Catela, Catela, Catela, Catela as they churn through the San Juaquin valley. In twenty linked, ferociously compact short stories and a lyrical prologue, Hernandez sings of Catela too, triumphantly bringing this fictional farming community to life.
