Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
Post Hurricane Katrina and the Deepwater Horizon oil spill, the characters in Tom Cooper’s debut novel, The Marauders, struggle to survive in a world whose customs and cultures are rapidly “disappearing, crumbling to the Gulf.”
Is plagiarism really a crime? A moral failure? Forrest Anderson wonders if it might be a necessary step in learning how to write–in uncovering the authentic self.
Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
Doomed love with a dark twist. Lush historical details elevate Ron Rash’s The Cove.
Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
Forrest Anderson on the semester he “caught fire as a writer,” when Ron Rash handed him a life-changing copy of Dale Ray Phillips’s debut, My People’s Waltz. Anderson describes the exquisite moments of grace in the collection when “all of the bad things to come are brewing on the horizon but haven’t yet managed to fully snag the family.”
Forrest Anderson’s stories have appeared most recently in BULL: Men’s Fiction, Blackbird, The Louisville Review, and The South Carolina Review, and his essays have appeared in The Southeast Review and Pembroke Magazine. A graduate of the doctoral creative writing program at Florida State University, where he worked for two years as an archivist and assistant for Robert Olen Butler, he also holds a Master of Fine Arts from the University of South Carolina. Currently, he lives in Salisbury, NC and is an assistant professor of English at Catawba College.
In 1990, Stephanie Vaughn published her debut collection of short fiction, Sweet Talk. Critical reception was overwhelmingly positive. A reviewer for Mother Jones Magazine wrote, “There is not a weak story in Sweet Talk and few are less than spectacular … Hers is a wise, touching, extraordinary voice—the sort rarely achieved at the end of a gifted career, let alone at the beginning.” To date, Vaughn’s first book has also been the only one her adoring fans have seen.
Surprising Things Can Happen: An Interview with Kristen Roupenian
Part of a Bigger Conversation: An Interview with Rebecca Makkai
If You See Me, Don’t Say Hi: An Interview with Neel Patel
Sometimes Taking Things Out Counts as Writing: an Interview with Celeste Ng
Influences: An Interview with Tobias Wolff
Stories We Love: “Blue Lenses,” by Daphne Du Maurier
Stories We Love: “White Angel,” by Michael Cunningham
Stories We Love: Donald Barthelme’s “The School,” In Which is Revealed the Meaning of Life
Stories We Love: "A Small, Good Thing" by Raymond Carver
Stories We Love: "The Fall River Axe Murders," by Angela Carter
