In Praise of Brevity, Part I: a "balm for those who fear brusqueness"
by Anne Stameshkin
For The Smart Set, Ryan Bigge offers this thoughtful history of concision in writing, from Zen koans and poetry to the telegram, to Twitter. (Thanks, Kathryn, for the link.) Through a series of wide-ranging examples (including a four-minute/one-word-in-variations scene from HBO’s The Wire and a single-character telegraph from Oscar Wilde to his publisher), he suggests that Twitter, far from symbolizing the end of thoughtful communication, evolves from an age-old writerly value: economy. Positing that “constraints generate creativity and that the utility of concision depends on context,” Bigge also acknowledges that “being laconic can […] belittle,” and that working in a […]