Suspend Your Disbelief

Posts Tagged ‘craft’

Essays |

Writing the Great American Novel Video Game

For some time I was one of few standing firmly in both camps—writer and gamer, fiction-fiend and pixel-popper. But the innovative nature of Next-Gen gaming, with its leaps in technology and massive install-base, means games have developed new depth–and the future of gaming promises to look a lot more like literature than flight simulators. This is, in many ways, the rise of a new novel. Like its lexicographic predecessor, the pixilated form revels in moral ambiguity, character motivations, conflicts between free will and fate.


Essays |

Quotes & Notes: Gotta Serve Somebody: Writers and Academic Homes

by Steven Wingate

“Everywhere I go, I’m asked if the universities stifle writers. My opinion is that they don’t stifle enough of them.” — Flannery O’Connor

It’s hard to argue with your heroes, though it’s significantly easier after they’ve died. Flannery O’Connor—the first writer I wanted to be—refers in this quote to creative writing workshops, which were just becoming the new standard for writerly apprenticeship when she launched her career. But I don’t have the same issues as she had with the workshop paradigm as it’s now practiced, or with the proliferation of creative writing programs.


Shop Talk |

This is your brain on fiction

by Celeste Ng

Can neuroscience help you become a better writer? That’s what YA author Livia Blackburne, a graduate student in neuroscience at MIT, wonders on her blog Narrative and the Brain. …. the scientists used a brain scanner to see what regions lit up during the reading of a story. They watched the brains of volunteers as they read four short narrative passages. […] Motor neurons flashed when characters were grasping objects, and neurons involved in eye movement activated when characters were navigating their world. In summary then, different parts of the brain process different facets of our conscious experience, and those […]


Interviews |

The Rebel from Helena: An Interview with Maile Meloy

by Joshua Bodwell

Through prose that is concise, confident, and empathetic, Malie Meloy evokes what David Foster Wallace called the “plain old untrendy human troubles and emotions” of life, and treats them with “reverence and conviction.” Joshua Bodwell talked with Meloy about her newest collection, Both Ways Is the Only Way I Want It, the craft of writing short fiction, and the art of finding the right voice for a story.


Essays |

Quotes & Notes: Best Shots and Shortcuts

by Steven Wingate

“Always give your characters their best shot.” — Stuart M. Kaminsky

As writers, we can add on (and on) to the external details of a character, trying to make that person real in the way that Pinocchio hopes to become so. Theoretically, we might be able to acquire enough details in a personality inventory for our readers to accept our characters as convincing. But ultimately, as Stuart Kaminsky knew, this way of creating character doesn’t work because it’s the subtext of our characters’ lives that make them real. Using the “inventory” process to get to know them is fundamentally flawed because it makes us lazy.


Interviews |

Creative Writing and the University: an Interview with Mark McGurl

by Polly Stewart

McGurl, a professor of English at UCLA, is a literary scholar who actually likes writers. More amazingly, he likes MFA programs. In The Program Era, published by Harvard University Press, McGurl argues that the rise of the MFA program in the twentieth century made a uniquely significant contribution to the excellence of postwar American literature.


Interviews |

Listening to the Tiny Voice: An Interview with Kathryn Ma

by Neelanjana Banerjee

Neela Banerjee talks with Kathryn Ma, the first Asian American to win the Iowa Prize in that contest’s 40-year history. Ma channels rage and its antidote, humor, in her debut collection, All That Work and Still No Boys, which features unapologetically Asian American characters who don’t do any cooking or talking to ghosts.


Shop Talk |

Tobias Wolff, on the future of the short story

by Celeste Ng

The Morning News has a great interview with Tobias Wolff by Robert Birnbaum. As contemporary writers go, Wolff has a somewhat unusual publication record: he’s published one novel, one novella, and five collections of stories. But dip into any of them and you’ll see why. Wolff can rightly be called a master of the short form, and in the interview, he shares some thoughts on both it and its future: RB: You would think somehow that—this being a hyper-accelerated era where time is so precious to people—that short stories would be more popular; they would be more digestible. People would […]


Interviews |

Miles from Nowhere: A Conversation with Nami Mun

“Fiction is my default writing mode. Whenever I witness something odd on the streets or hear intriguing dialogue on the trains, my first impulse is to drop these things into my fiction bank. I don’t have a memoir bank. Fiction, to me, is running through the woods rather than running on a treadmill. It’s freedom to make up characters, setting, situations, etc.—and through this freedom I feel better equipped to express and explore my ideas.”


Shop Talk |

How They Write

by Celeste Ng

The Wall Street Journal has a fascinating look at how several writers get down to business–from writing in blue exam books to dressing in character to collage-making. Some highlights: Orhan Pamuk: Mr. Pamuk writes by hand, in graph-paper notebooks, filling a page with prose and leaving the adjacent page blank for revisions, which he inserts with dialogue-like balloons. He sends his notebooks to a speed typist who returns them as typed manuscripts; then he marks the pages up and sends them back to be retyped. Kazuo Ishiguro: Since his novels are written in the first person, the voice is crucial, […]




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