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Posts Tagged ‘Erika Dreifus’

Shop Talk |

First Looks, May 2012: The Last Hundred Days and The Innocents

by Erika Dreifus

Hello again, FWR friends. Welcome to the latest installment of our “First Looks” series, which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. This month’s First Looks picks take us in a decidedly international direction. Let’s begin with The Last Hundred Days, Patrick McGuinness’s debut novel, which was longlisted for the 2011 Man Booker Prize […]


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Stories We Love: "To Build a Fire"

by Erika Dreifus

Jack London’s “To Build a Fire” (1908) is one of those stories—paralleled by certain films—that I always return to with an odd yearning. Each time, despite myself, I hope that the story (or film) will somehow end differently. That Connie won’t leave with Arnold Friend. That Christopher Reeve won’t discover that penny from 1979. Or, in the case of London’s story, that “the man” won’t break through the ice—and that the fire won’t go out. Perhaps part of the story’s great appeal is how very different it is from my own lived experience and writerly tendencies. My version of the […]


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First Looks, April 2012: Goliath and HHhH

by Erika Dreifus

Hello again, FWR friends. Welcome to the third installment of our new blog series,  “First Looks,” which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. Susan Woodring and I are graduates of the same low-residency MFA program. Although we overlapped for a couple of semesters, we were never assigned to the same workshop. Still, I’ve […]


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First Looks, March 2012: The Pretty Girl and Conversations with David Foster Wallace

by Erika Dreifus

Hello again, FWR friends. Welcome to the second installment of our new blog series,  “First Looks,” which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. Here are just two of the many intriguing books scheduled to be released before we meet again one month from now: A few weeks ago, I received an email from […]


Shop Talk |

First Looks: Birds of a Lesser Paradise and The Edge of Maybe

by Erika Dreifus

Hello, FWR friends. I’m delighted to announce a new blog series: “First Looks.” This series, which I’ll be writing each month, will introduce you to soon-to-be released novels and short-story collections that have piqued my interest as a reader-who-writes. Consider it a public “to be read” announcement of sorts, a way for me to point out a new title (or two) every month and explain what about it has caught my eye. For the most part, we’ll be concentrating on books that fall within FWR’s chief interest: fiction by emerging authors. We’ll publish “First Looks” posts here on the FWR blog […]


Reviews |

A Meaning for Wife, by Mark Yakich

by Erika Dreifus

“There are people who talk about themselves in the first person, people who talk about themselves in the third person, and people who don’t talk about themselves at all,” says a character in A Meaning for Wife. Yet poet Mark Yakich’s debut novel is narrated–quite successfully–in the controversial second-person.


Shop Talk |

Under the Influence… of Sands Hall

by Erika Dreifus

Immersed in a 9-to-5, year-round office job since early 2007, I haven’t led a fiction workshop for some time. But if I should inhabit that particular teaching role again, I’d want to remind myself how the job is best done. Ideally, I’d do that by sitting in on one of Sands Hall’s workshops. I met Sands when I enrolled in her “Tools of the Writer’s Craft: Novel” workshop at the Iowa Summer Writing Festival in 1997. I subsequently returned to Iowa to take other workshops of hers. We’ve stayed in touch, and I’m proud to say that we’re friends. In […]


Interviews |

Mishpocha and Beyond: An Interview with Erika Dreifus

by Anne Stameshkin

In conversation with Anne Stameshkin, debut author Erika Dreifus shares true stories that inspired her collection, Quiet Americans; wonders when it’s kosher for authors to write characters from backgrounds they don’t share; explores how reviewing books makes us better fiction writers; and recommends favorite novels and collections by 21st-century Jewish authors.


Shop Talk |

Stories We Love: "Body Count"

by Erika Dreifus

I adore all of The Pale of Settlement (2007), a collection of linked stories by Margot Singer that won the Flannery O’Connor Award for Short Fiction, the Glasgow Prize for Emerging Writers, and the Reform Judaism Prize for Jewish Fiction. I’ve reread the entire book. But the story that I’ve returned to most often—many times—is “Body Count.” Initially published in Prairie Schooner (and therefore available online to those with JSTOR access), “Body Count” presents us with a protagonist who appears across the collection: Susan Stern. In 2002, Susan, an American-born Jew with close family in Israel, is living in New […]




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