From the Archives: Got a dreadful first novel stashed somewhere in the proverbial drawer? Take heart, dear writer. Roberto Bolaño will show you how to salvage from the wreck.
In this 2009 interview from our archives, Lee Thomas talks with Aravind Adiga about neo-realism, myth, and being a misfit.
“Willie—like all of the characters in A Long Long Way, in fact—is a character constructed primarily through simile”: Patty Keefe Durso on figurative language and characterization in Sebastian Barry’s novel.
Jennifer Solheim on Kamel Daoud’s The Meursault Investigation: “Through Harun, Daoud explores both the ethics of Camus creating a nameless Arab character to kill on the beach as part of a philosophical exploration, and the horror of a pied noir being canonized for killing an Arab.”
“History, personal or collective, weighs on everyone in these stories, sculpting their inner lives. And yet, Tabucchi suggests, an unlikely transcendence is possible.”
The British are Coming: Quercus Books arrives on US shores, debuting with Pierre Lemaitre’s Alex, a gripping and extremely intelligent thriller that will fully engage, mercilessly shock, and unexpectedly surprise its readers from its first page to its last.
The British are Coming: Quercus Books arrives on US shores, debuting with Pierre Lemaitre’s Alex, a gripping and extremely intelligent thriller that will fully engage, mercilessly shock, and unexpectedly surprise its readers from its first page to its last.
Natalie Bakopoulos’s debut novel, The Green Shore, is just out in paperback in the US, and has been recently released in Bulgaria as Зеленият бряг. Bistra Velichkova talks with Bakopoulos about her recent time in Bulgaria as a Sozopol Fiction Seminar Fellow, and the historical events of the military dictatorship of Greece (1967-1973) that inspired her novel.
Julie Wu’s debut novel, The Third Son (Algonquin), depicts the struggles of a Taiwanese boy, Saburo Tong, to escape his impoverished, cruel background and to establish a meaningful adult life for himself, a journey that takes him from poverty and oppression in Taiwan to the opportunity and relative freedom of 1950s America.
Croatian writer Robert Perisic talks with Steven Wingate about his latest novel Our Man in Iraq, the modern global economy and its relationship to developing nations, and the slide between journalism and fiction writing.
