Lost in the Woods: the Transformative Possibilities of Disorientation
Scott Nadelson on disorientation as a craft technique in the work of writers like Jamel Brinkley, Mansoura Ez-Eldin, and Eduardo Halfon.
Scott Nadelson on disorientation as a craft technique in the work of writers like Jamel Brinkley, Mansoura Ez-Eldin, and Eduardo Halfon.
“Once you know you can be kicked out of Eden, it becomes a place of utter dread; you’re constantly waiting, looking over your shoulder, wondering if today will be the day”: Scott Nadelson discusses the dread of paradise.
Last week we featured Aftermath, by Scott Nadelson, as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to: Carolyn West (@temysmom) Renee Johnson (@writingfeemail) Matt Sullivan (@SEANandMICHELLE) To claim your free copy, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us!
This week’s feature is Scott Nadelson’s new story collection, Aftermath. The book was published in early September by Hawthorne Books & Literary Arts, an independent press that focuses on American literary fiction and narrative nonfiction, with a growing interest in international literature and books in translation. This is Nadelson’s third collection. He is also the author of The Cantor’s Daughter (2006), which won the Samuel Goldberg & Sons Fiction Prize for Emerging Jewish Writers and the Reform Judaism Fiction Prize, and Saving Stanley: The Brickman Stories (2004), which won the Oregon Book Award for short fiction and the Great Lakes […]
In conversation with Julie Judkins, author Scott Nadelson discusses how the “mad mystic hammering” of Bob Dylan inspired him to become a writer, why being a formerly reluctant reader informs his teaching, and how New Jersey has evolved in his fiction from an actual place to a state of being.
