“How do we navigate, and then translate, the past’s lost and often foreign landscape?”: Mary Volmer on taking a traveler’s approach to writing historical fiction.
“To be honest, I’d say that in the end the only thing that ultimately matters in story writing is simply trying to create a strong and original narrative, plus always aiming to make every story a little tour de force, which is a what a truly successful short story should be, possessing that intensity—it’s why a story is so much different than a novel and special in a way.”
Hello again, FWR friends. Welcome to the latest installment of “First Looks,” which highlights soon-to-be released books that have piqued our interest as readers-who-write. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, we’d love to hear your comments and your recommendations of forthcoming titles. So please drop us a line with buzz-worthy titles you’re anticipating: editors(at)fictionwritersreview(dot)com. Thanks in advance! Though fiction is our primary focus on this site, from time to time a book of poetry or nonfiction or criticism crosses our path that necessitates some recognition. (Besides, we’re all […]
