Nick Ostdick talks with Megan Stielstra about the 2nd Story reading series in Chicago and a new anthology of performed essays from the series’ ten-year history, Briefly Knocked Unconscious by a Low-Flying Duck, which she co-edited.
Hello again, FWR friends. Welcome to the latest installment of our “First Looks” series, which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. I don’t recall when or where I first heard about Ayana Mathis’s debut novel, but it was well before Oprah anointed it as her latest book-club pick. Kirkus is describing it as a […]
Last week we featured Blue Collar, White Collar, No Collar as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to: Valerie Suydam (@valeriesuydam) Chanel Dubofsky (@chaneldubofsky) Sara Habein (@sshabein) To claim your signed copy of this collection, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us!
Does the Writing Workshop Still Work? offers an important and timely contribution to the creative writing discipline: in addition to focusing on pedagogies, professionalization, and workshop methodologies, the collection complicates issues by asking readers to consider the workshop as an event, an artistic act, and a human activity.
At the end of August, Fiction Writers Review launched a Fan Page on Facebook. The goal is threefold: to introduce new readers to FWR, to create an informal place for conversations about writing, and also to give away lots of free books. Each week we’ll give away several free copies of a featured novel or story collection as part of our Book-of-the-Week program. All you have to do to be eligible for our weekly drawing is to be a fan of our Facebook page. No catch, no gimmicks. And once you’re a fan, you’ll be automatically entered in each subsequent […]
Our history with print’s first-rate publications can be a comforting force, a grid of familiar local streets against the sand-swept dunes of online. And it’s this lack of familiarity with digital’s landscape that makes Dzanc’s anthology so incredibly necessary: for new and old writers alike, it’s a guidebook as much as it is a book-book.
What is it about the European cultures, tucked like bats into their tiny cubbies, that seems so much more specific than our own? How do Belgium or Luxembourg achieve “culture” in little more space we might use to construct a Wal-Mart megastore? What is it about confinement that breeds a more tribal than national identity? What are we doing when we sit down to read a collection of fiction culled from a continent?
Every book we feature on Fiction Writers Review has won the admiration of our reviewers. But because it’s a new year, and it’s award season, and today is the official holiday of love, we asked our contributors to tell us which books of 2009 they most adored, cherished, and crushed on. What we received often transcended mere lists; writers shared why these certain books affected them, woke them up, even made them jealous. So in addition to the “favorites” that received the most votes, we’ve also included some of these endorsements and mini-reviews. Most selections are arranged by genre (Novel, Story Collection, etc.), and then there are less conventional categories–like Book You Loved But Would Be Embarrassed to Be Caught Reading.
NYC-based writers, head to Brooklyn’s newest bookstore, Fort Greene’s Greenlight Books (686 Fulton St., at S. Portland), tonight (Monday, November 23) at 7:30 PM for a special event featuring local authors and the editor of Mentors, Muses, and Monsters, a book that we at FWR are excited to read. This is also the bookstore’s first installment of what promises to be an exciting series of events featuring both authors and lit bloggers. On a personal note, I’m thrilled at Greenlight’s birth, if a bit heartsick that I had to leave Fort Greene about a month before it opened; when I […]
Each summer Dzanc Books releases The Best of the Web, an annual anthology of the year’s best poetry, fiction, and nonfiction that was published online. Of all the “Best of” collections that come out each year, this anthology, with its multi-genre interests, probably has the most in common with The Best American Non-Required Reading series. And like that anthology, this one also shares an interest in work that is driven by voice, that isn’t afraid to test the limits of its form.
