“Davis frequently operates as kind of phenomenologist. In her fiction, we get access to the outside world only if it’s part of someone’s inner world. The filter of perception is always there.”
“I think this is what Ghostographs wants from its readers: remembrance. While much of the book is about the wild dreamscape of childhood, in the end the story is about the end of a time and place.”
“It’s no accident that I do most of my writing at the kitchen table. To me the creative process is manifested in all three things: baking, gardening, writing”: Sherrie Flick talks with Michelle Ross about flash fiction, happy endings, food, and her new collection, Thank Your Lucky Stars, out now from Autumn House Press.
“I suppose if flash fiction were a running form, it would be a sprint. One that requires a lot of thinking and training and art to have a good, solid race”: Kim Chinquee with Steve Wingate on her new collection of flash fiction, Veer, out this spring from Ravenna Press.
David Galef reflects on the writing of his new book, Brevity: A Flash Fiction Handbook
“This astonishing flip–that human perception is the world’s foundation–comes to the fore again and again in the bright worlds of Cooper’s meditations on care”: Denise Dooley on Desiree Cooper’s debut collection, Know the Mother.
Given the vast quantity of Alice/Carroll-inspired work, the reader might wonder: “Is there anything new to add?” Here, happily, Seabrook proves it is still possible to make an original contribution.
Sometimes the best things in life come in small packages: Cadbury Creme Eggs, bonsais, the poetry of Kay Ryan. The same is often true of fiction, where in a few thousand words a great short story can convey emotional intensity in a way that a longer piece sometimes cannot.
Short Story Month wouldn’t be complete without some first-rate flash fiction. This morning, enjoy the following selections by Tara L. Masih, editor of The Rose Metal Press Field Guide to Writing Flash Fiction and author of the excellent collection Where the Dog Star Never Glows (Press 53, 2010) and the flash fiction chapbooks Fragile Skins and Tall Grasses. Below are first-line teasers; click on each story title to read (or listen to) the rest. “Dodging Frogs on Blackbird Road,” via Electric Flash (page 25 of the PDF) Never mind hindsight . . . after stretching and straining our bodies in […]
