In her sixth novel, State of Wonder, Ann Patchett delivers an adventure story that still rests comfortably on the shelf of Literary Fiction. Researcher Marina Singh leaves her Minnesota lab for the Amazon to investigate a coworker’s death and evaluate the research of a field team deep in the jungle.
Lee Thomas calls Michael David Lukas’s debut novel, The Oracle of Stamboul, an antidote to mid-winter malaise with “sun-drenched marble, the heat and clamor of the bazaar, and a warm, salt breeze off the Sea of Marmara.” The book features a precocious prodigy, eight-year-old Eleonora Cohen, as a guide through Lukas’s tale of political intrigue in late 19th-century Stamboul.
Can men and women ever really be just friends? The infamous, troubling question. It never truly goes away. Probably because it never truly gets answered, despite the fact that the modern novel has tried, over and over again, if not explicitly, or even self-consciously, to do so. But the characters in A. Manette Ansay’s latest novel, Good Things I Wish You (Harper, 2009), are not ashamed to ask such questions or speak boldly, not even to each other on their first, blind date.
In her latest novel, The Believers, Zoë Heller once again proves herself a master of the unsettling. If conflict is the seed of narrative, then Heller’s storytelling is a Black Forest of strife. Aging radicals Joel and Audrey Litvinoff live in Greenwich Village, a perch from which they still hold sway over their three adult offspring. The Litvinoffs are a messy, complicated family who face a crisis when Joel, the patriarch, suffers a stroke in the middle of a courtroom–while defending a man accused of a terrorist plot; his stroke uncovers the family’s dissatisfactions.
