Suspend Your Disbelief

Posts Tagged ‘humor’

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Better Book Titles

by Celeste Ng

Titles are many a writer’s Achilles heel. Even the greats had trouble—F. Scott Fitzgerald, for one, originally considered several alternative titles for The Great Gatsby, including Trimalchio in West Egg and The High-Bouncing Lover. (Yikes.) Each weekday, Dan Wilbur’s blog Better Book Titles features one book, retitled more honestly—and hilariously. Some of my favorites: Cynical? A little, but many of the Better Book Titles strike right to the heart of a book’s theme. Like this one: Visit the blog here, and don’t miss the archive.


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In Defense of Comic Novels, Part II

by Celeste Ng

Recently we discussed a Times article about why comic novels often get overlooked when it comes to literary awards. Over at BlackBook, author and Columbia professor Sam Lipsyte adds his thoughts on the status of funny fiction today: Do you feel that literary fiction is afraid to make people laugh these days? I think there’s a worry that if it’s funny then perhaps there’s something slight about it. That it’s not as important as a deeply researched, earnest, historical novel, or a kind of humorless tale of contemporary life. I think there possibly was a moment in the ‘60s and […]


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In Defense of Comic Novels

by Celeste Ng

In the art world, comedy seldom gets its dues: if it’s funny, many assume, it can’t also be “real” art. At the Oscars a couple of years back, Will Ferrell, Jack Black, and John C. Reilly lamented the plight of “A Comedian at the Oscars”: “the saddest man of all / Your movies may make millions, but your name they’ll never call.” Something similar happens in literature, Erica Wagner points out in the UK’s Times: Comic novels — let’s call them terrific novels that happen to be funny — tend to fall through the cracks, especially where prizes are concerned. […]


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How to Get a Book Deal Using the Internet

by Celeste Ng

First came blog-based books like Julie and Julia. Then came books based on Internet memes like LOLcats. Recently we’ve seen a spate of Twitter-based books, ranging from Matt Stewart’s novel The French Revolution to TwitterWit to Justin Halpern’s Shit My Dad Says. How far will the trend go? Now, even your Facebook status can land you a book deal–at least in the world of The Onion. Via.


Reviews |

How I Became a Famous Novelist, by Steve Hely

by Richard Parks

What aspiring novelist doesn’t dream of early fame? Granted, it’s a willfully suppressed narrative—unwritten, unspoken, and perhaps for a noble few, unimagined—but most writers have contrived versions of a meteoric rise to literary success along with more prosaic early fictions. And, given the chance, who would shunt the regard of established authors, modest financial gains, and possible tenured teaching position that await? How I Became A Famous Novelist (Grove/Atlantic, July 2009), Steve Hely’s debut novel, uses this condition as pretext for rollicking satire.


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An Arsonist's Guide to Writers' Homes in New England, by Brock Clarke

by Brian Short

I don’t actually want to tell you anything about this novel. I want you to go read it and then meet me at Sweetwaters in Ann Arbor, so we can talk about our favorite parts while sipping mocha lattes and nibbling cranberry scones. This type of behavior—informally discussing books in settings seemingly created for the informal discussion of books—is something that Clarke makes fun of in the novel, but then again, he makes fun of pretty much anyone who likes books, or talks about books, or thinks they are at all important. A significant feat, considering the fact that Clarke obviously reads tons of books, and loves them, and thinks they’re at least important enough to spend a few years writing a pretty good one.




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