From the Archives: Here, triangulated between the grit and hardship of necessity, the loneliness of nature and a reverence for it, and the migrations of good and decent hearts—or, at least, hearts that strive in clumsy, sometimes self-defeating ways to be so—through a world that feels cold or, worse, actively hostile to their concerns, Bonnie Jo Campbell has located and renewed the rural ache.
From the Archives: After waiting impatiently for Daniel Orozco’s debut story collection, J.T. Bushnell finds that it exceeds all expectations. Bushnell calls these stories “full of satire and absurdity and insight.”
From the Archives: “By allowing strangeness into our familiar landscapes, we can surprise the reader into pausing, paying attention, and possibly recognizing some kind of familiar human truth in a new, illuminating way”: Christina Ward-Niven on odd narrative events in Chekhov.
From the Archives: By astutely balancing the physical with the psychological, Elizabeth Graver manages to produce what Jacob M. Appel calls “four-dimensional stories.”
From the Archives: Christopher Mohar talks with Anthony Doerr about the politics of writing, the importance of curiosity, the role science plays in his fiction, why he likes the novella as a form, and how we can successfully inhabit characters different from ourselves.
From the Archives: Ana Menéndez’s story collection Adios, Happy Homeland! shadows people on the run from their circumstances and themselves.
Every time I read this story I get a thrill, the sensation of having to hold on tight for a wild, plummeting ride, a dizzying shift in perspective, a cascade of questions that I can’t answer.
From the Archives: In this 2010 interview Charlotte Boulay talks with Hannah Tinti about the influence of art in her work, how writers find their subject matter, her editorial approach at One Story, and trusting your gut during the drafting process, among other subjects.
“I’m honored to be a lifelong Midwesterner and to write and think about place with central allegiance”: Melissa Scholes Young talks with Melissa Fraterrigo about her story collection, Glory Days.
“The writer’s first tool—even more important than language—is empathy”: Michael Byers on ZZ Packer’s “Brownies” as a story about becoming a writer.
