Author of the recently published short story collection Elephants in Our Bedroom, Michael Czyzniejewski grew up in the Chicago suburb of Calumet City, Illinois. He graduated from the University of Illinois in 1995 with a degree in rhetoric, and two years later, he received an MFA in fiction from Bowling Green State University.
I want my life to be a Kelly Link story. I mean it, even though many of the characters in her stories are a little lost, literally or emotionally, and even though others are in danger. Pretty Monsters is intended to be a young adult collection of short stories. This in itself is new—there aren’t many YA story collections, are there? But even if there are, there is nothing like Kelly Link. It’s useful that a few of the stories in Pretty Monsters are republished from her earlier collections, Magic for Beginners and Stranger Things Happen, because I can’t talk about Kelly Link without talking about the story “Stone Animals,” which first appeared in the Best American Short Stories in 2005, and then in Magic. I still dream about it sometimes. There was a period of almost a year after I first read it when, no matter what else I was reading, I wished it was “Stone Animals.” I’ve read it a dozen times. I sort of want to be reading it right now.
a taste: I want my life to be a Kelly Link story. I mean it, even though many of the characters in her stories are a little lost, literally or emotionally, and even though others are in danger. Pretty Monsters is intended to be a young adult collection of short stories. This in itself is new—there aren’t many YA story collections, are there? But even if there are, there is nothing like Kelly Link. It’s useful that a few of the stories in Pretty Monsters are republished from her earlier collections, Magic for Beginners and Stranger Things Happen, because I […]
Mary Stewart Atwell and Alison Espach talk with short fiction guru Lydia Davis about transitioning from inventing worlds to inverting the real one; writing dream stories; and translating Madame Bovary.
Asked about his childhood religious beliefs by an interviewer, Robert Stone once said, “I was in that very difficult position you get in when you really believe in God, and at the same time you are very angry: God is this huge creature who we must know, love, and serve, though actually you feel like you want to kick the son of a bitch.” Throughout his career, Stone has drawn upon this confluence of anger and belief—and the despair that often results—to create some of his most resonant work. At their best, Stone’s portrayals of men and women guided (and […]
Mary Stewart Atwell and Alison Espach talk with short fiction guru Lydia Davis about transitioning from inventing worlds to inverting the real one; writing dream stories; and translating Madame Bovary. To read the interview, “Little Plots of Real Life,” click here.
Julian Mazor’s wonderful, unsung second collection of stories, Friend of Mankind published in 2004, thirty-six years after his first. Mazor’s elegant language evokes settings that are simultaneously a backdrop for and a mirror of his characters’ inner lives, and his compassion for these characters is almost physical. Click here to read the full review by Helen Mallon.
Julian Mazor’s wonderful, unsung second collection of stories, Friend of Mankind, published in 2004, thirty-six years after his first. Mazor’s elegant language evokes settings that are simultaneously a backdrop for and a mirror of his characters’ inner lives, and his compassion for these characters is almost physical.
I have a hard time remembering that I actually like short stories, even though Elizabeth Crane and Melissa Bank and Lorrie Moore are some of my favorite living authors, and short fiction is some (or all) of their best work. So when our wise and talented editor raved about Allison Amend’s newest collection, it took me half a year to get around to reading it. Don’t wait as long as I did. Things that Pass for Love is beautiful and brilliant, each story distinctly separate and distinctly wonderful. It’s hard to choose a favorite, but let’s go with “Carry the […]
Recently, I was at Grub Street’s Muse and the Marketplace writers’ conference here in Boston, and in one session we looked at Tobias Wolff‘s “Bullet in the Brain.” I was surprised at (1) how many people had not read the story–of a group of 30 people, I was one of maybe 5 who had, and (2) how amazing this story really is. So compressed and so focused: crystalline. Perfect for teaching yourself, or others: you can take it apart, sentence by sentence, and figure out why each word is there and exactly how the story is working. And yet, even […]
