Suspend Your Disbelief

Posts Tagged ‘Stories we love’

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Stories We Love to Teach: "Tiny, Smiling Daddy"

I use “Tiny, Smiling Daddy,” from Mary Gaitskill’s collection Because They Wanted To, to help fiction students understand the value of stories that lack epiphanies, or any clear transformation in their characters. In Gaitskill’s story, a father who has long struggled with his only child’s sexuality finds that his daughter has published an essay about their difficult relationship, one in which she articulates the limitations of her father’s love. The father, aptly named Stew, is insulted, embarrassed, and rocketed back to moments in the past, gaps in understanding that have left him feeling assaulted and alone. In large part, his […]


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Stories We Love: Self-Help

by Casey Dembowski

It may have been written before I was born, but Lorrie Moore’s debut collection Self-Help holds a special place on my bookshelf. Maybe it’s because it was Moore’s MFA thesis from Cornell, or maybe it’s her complete disregard for standard writing rules, but the collection brought me into a world I didn’t want to leave. Her jab at the lucrative but clichéd self-help genre offer often jaded advice on how to be. As a near-graduate of an MFA program, the idea of my thesis becoming a published work is an intriguing yet frightening idea. Living a life of letters and […]


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Stories We Love: The Granta Book of the Irish Short Story

by Shawn Andrew Mitchell

In her pithy introduction to the recent Granta Book of the Irish Short Story, Anne Enright waltzes around the question that all anthology editors seem obligated to address: what makes a short story a short story? And, in the case of this anthology, what makes the Irish short story exceptional? Enright considers, rejects, and modifies many possibilities. She draws on that old master of the form, Frank O’Connor: the story is dictated by its needs alone; the story is always about human loneliness; the story thrives among “submerged population groups.” She quotes Sean Ó Faoláin’s demand that a story be […]


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Stories We Love: "Refresh, Refresh"

by Michael Rudin

I’ve fought close to a dozen fights. I’ve fought my brother, two best friends, five or so drunks in college, and a few New Years Eves ago, a group of six with one Australian and two Samoans at my side. It was the broad-shouldered Australian who began things by tapping my shoulder and informing me, “I’m going to go hit that chap. And you’ll hit his friend. And we’ll see what happens from there,” and it was the Samoan bouncers who came to our rescue shortly thereafter, doing all the actual fighting. I’d known the Aussie for all of two […]


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Stories We Love: "The Smile on Happy Chang's Face"

So there we were. Full count, bases loaded, two out. Championship game. A score of 1 – 0. The whole season narrowing down to a single pitch. Cue the slow-motion. Cue the Hollywood score: soaring strings, a drumbeat to match the rhythm of our hearts. We’ve seen this moment before. What we’ve not seen is the twist in Tom Perrotta’s short story “The Smile on Happy Chang’s Face.” The pay-off pitch strikes the catcher’s mitt, and our narrator, the volunteer umpire, refuses to make the crucial call. But we are Americans, you say. We are all about winning and losing. […]


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Stories We Love: "Body Count"

by Erika Dreifus

I adore all of The Pale of Settlement (2007), a collection of linked stories by Margot Singer that won the Flannery O’Connor Award for Short Fiction, the Glasgow Prize for Emerging Writers, and the Reform Judaism Prize for Jewish Fiction. I’ve reread the entire book. But the story that I’ve returned to most often—many times—is “Body Count.” Initially published in Prairie Schooner (and therefore available online to those with JSTOR access), “Body Count” presents us with a protagonist who appears across the collection: Susan Stern. In 2002, Susan, an American-born Jew with close family in Israel, is living in New […]


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Stories We Love: “Some Other, Better Otto”

by Daniel Wallace

Some stories feel found, not written, their lines etched on the walls of ancient Lemuria, or coded into the seams of certain carbon isotopes, no more the product of fallible modern humanity than the laws of arithmetic or the curve of the Milky Way. The opening chapters of The Great Gatsby, for instance, possess this kind of inevitability, as does Deborah Eisenberg’s short story “Some Other, Better Otto,” from her 2006 collection, Twilight of the Superheroes. Eisenberg’s Otto is a man who transmutes every conversation, philosophical conjecture, and family gathering into material for his own mental processes, seeking in the […]


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Stories We Love: "Meneseteung"

by Celeste Ng

More than any single story I can think of, this is the story that’s had the most radical impact on my writing. Reading it for the first time was one of those mind-shattering “You can do that in fiction?!” moments. It’s a very un-Alice-Munro-like Alice Munro story. Told in the first person, in numbered sections, it recounts the narrator’s attempt to reconstruct the life of an obscure Victorian poet, Almeda Roth, through newspaper clippings, book excerpts, and historical records. The story itself is well told, as you’d expect anything by Munro to be, with layer upon layer of detail. Each […]


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Stories that Scare: "The Diver"

by Forrest Anderson

I have a big heart when it comes to short stories. There is a handful that I press onto friends with the pimply-faced intensity I had as a seventh-grader for Appetite for Destruction—as in, like this story as much and in the same way as I do or risk ending our friendship. There’s another handful that I love, dozens more that I adore, and bushels for which I have warm feelings. I can only think of three, though, that scare the living daylights out of me. The first is “The Paperhanger” by William Gay. The opening sentence does it to […]


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Stories We Love: "Mollusks"

by Christopher Mohar

“Trying to be weird and strange isn’t as interesting as coming up with a reason for it,” Arthur Bradford says of his 2001 short story collection, Dogwalker, in an interview with Robert Birnbaum. Labeling Bradford’s work “weird” may be a bit of an understatement, given stories that include a woman giving birth to a glowing frog, a family of cat-faced carnival workers, a human/canine love affair, and all manner of mutant dogs: talking, three-legged, Siamese triplets, born with furry flippers instead of legs, etc. But Bradford makes the strange seem not only usual, but welcome and beautiful. Bradford’s weirdness is […]




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