Suspend Your Disbelief

Posts Tagged ‘writers on writing’

Interviews |

Miles from Nowhere: A Conversation with Nami Mun

“Fiction is my default writing mode. Whenever I witness something odd on the streets or hear intriguing dialogue on the trains, my first impulse is to drop these things into my fiction bank. I don’t have a memoir bank. Fiction, to me, is running through the woods rather than running on a treadmill. It’s freedom to make up characters, setting, situations, etc.—and through this freedom I feel better equipped to express and explore my ideas.”


Essays |

Magic and Music Steer this Vessel: On Jorge Luis Borges’s This Craft of Verse

In This Craft of Verse, Jorge Luis Borges’s collected Norton Lectures, Borges diverges–with sparkling erudition–from conventional forms, offering lectures that are not arguments, but gentle provocations. Remarkably, these visionary pieces were composed at a time when Borges was nearly blind. By this time, as editor Calin-Andrei Mihailescu writes in the book’s postscript, Borges could see “nothing more than an amorphous field of yellow.” We quickly learn, however, that his mind’s eye was as sharp and discerning as ever.


Shop Talk |

Why Slow Thinking (and Slow Writing) Can Be Good for You

A while back, Anne blogged about J. Robert Lennon and the argument that writers are really working all the time. Here’s further reason to back away from the writing schedule and cut yourself some slack now and then. Carl Honore, author of In Praise of Slowness, makes a compelling case for “slow thinking” when it comes to finding new ideas: […] Slow Thinking is intuitive, woolly and creative. It is what we do when the pressure is off, and there is time to let ideas simmer on the back burner. It yields rich, nuanced insights and sometimes surprising breakthroughs. Research […]


Shop Talk |

"She calls us all by our last names."

Alexander Chee, on Annie Dillard: In my clearest memory of her, it’s spring, and she is walking towards me, smiling, her lipstick looking neatly cut around her smile. I never ask her why she’s smiling—for all I know, she’s laughing at me as I stand smoking in front of the building where we’ll have class. She’s Annie Dillard, and I am her writing student, a 21-year-old cliché—black clothes, deliberately mussed hair, cigarettes, dark but poppy music on my Walkman. I’m pretty sure she thinks I’m funny. She walks to class because she lives a few blocks from our classroom building […]


Interviews |

Those Magic Carbons: A Conversation with Eileen Pollack

Brian Short talks to fiction guru Eileen Pollack about the juggling act of writing fiction, teaching writing, and directing the Creative Writing MFA program at the University of Michigan. Her advice to writers: Be bold.

“The first thing I love, when I read, is the language. I can’t read anything where I don’t like the voice. What else do I like? I like plot, I like setting, I like humor, I like boldness. I think part of it has to do with being female. No one ever told Philip Roth to be more timid or nice, to have nicer characters or less sex, to not be as broad. And when a woman tests boundaries, it’s seen as unbecoming. We’re supposed to write these quiet, domestic stories or novels. I’ve just never been one to do that.”


Shop Talk |

Less is More

Earlier this year, the New York Times profiled the writing space of novelist Roxana Robinson. Robinson lives on the Upper East Side near Park Avenue and has a study that would seem the ideal lair for a novelist. This room […] combines all the necessities of 21st-century life — computer, printer, fax machine — with immense personality, thanks to dozens of works of art and memorabilia that paint an indelible portrait of Ms. Robinson and the richly textured world she inhabits. Instead, however, she chooses to write “in an 8-by-10 space that faces a tan brick wall and was formerly […]


Shop Talk |

I Can't Go On, I'll Go On

Junot Diaz has a powerful and inspiring essay in O Magazine about writing his Pulitzer-Prize winning novel The Brief Wondrous Life of Oscar Wao. Though the piece is titled “Becoming a Writer,” it’s really an account of almost giving up on writing and, inexorably, being drawn back to it: Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn’t been pretty damn cool. But they were cool, showed a lot of promise. Would also have been fine if I could have just jumped to something else. But […]


Interviews |

Unexpected Connections: A Conversation with Allison Amend

Celeste Ng talks with Allison Amend about the author’s debut short story collection, Things That Pass for Love, as well as “likeable” characters, unfaithful dogs, the future of short fiction, Allison’s current projects, and those unexpected moments we share with strangers.


Essays |

Quotes & Notes: In Praise of Perpetual Self-Reinvention

“Every book I publish is an opportunity for me to reinvent myself as a writer.” — Steve Katz

The easy thing to do when we finish one writing project, the default thing, is to simply think about what we’re going to write next. Katz’s words, however, call us to engage in a deeper kind of reconsideration of ourselves, because what we write and who we are as writers are two crucially different things.


Essays |

Ron Currie, Jr., Reads: Postcard from Portland, Maine

Spring is wet in Maine. The rivers swell and roadways succumb. Driveways turn to mud pits and basements flood. We take it all in stride, because living here is worth such minor irritations.

But this past spring, the rain seemed ceaseless. The normally bearable soggy months stretched into June and stole the beginning of summer from us. So, expecting Mainers to sit inside a bookstore on the first clear, balmy evening in early July seemed like too much to ask. Even the author Ron Currie, Jr., a Maine native himself, seemed hesitant to go inside Portland’s Longfellow Books for a reading and signing of his new novel Everything Matters! (Viking, 2009).