Suspend Your Disbelief

Posts Tagged ‘writing and identity’

Shop Talk |

The child as writing aid

by Celeste Ng

I used to say that in order to get any writing done, I should hire someone to stand behind me with a stick and hit me on the head anytime I wasn’t working. I imagined someone along the lines of The Rock, or at least Queen Latifah, who embodied just such a character (more or less) in Stranger Than Fiction—a sweet movie despite its amazingly unrealistic portrayal of the writing life. “Motivator” might have been a good job title. Well, now I have a Motivator, but he doesn’t look anything like I expected. Trying to write while taking care of […]


Interviews |

The Text You Can’t Control: An Interview with Jacob Paul

by Aaron J. Cance

“We create things that we hope will, someday, become objects of value. In the wake of the 9/11 attacks, many writers–Foer, DeLillo, and Roth, to name just a few–all came out with 9/11 novels. I was initially bothered by this. I wanted to say, ‘Fuck you; I was there.’ This passed for a couple reasons. First was the realization that we’re all survivors of one type or another. Second, these texts can never really become authoritative positions on the experiences of a group of people, no matter how well written they are or how well credentialed their creators might be. There’s no uniform experience of being a 9/11 survivor, no uniform experience of being a woman. These are things that can’t be owned by anyone.”


Essays |

The ReCorrections: Part II

by Scott F. Parker

In the second part of his essay, Scott F. Parker discusses The Corrections as a key to Franzen’s thoughts on commerce and art, and how this tension led to the controversy surrounding the Oprah Book Club. Parker argues that the deep connection the reader forges with the Lamberts is precisely because of their abiding flaws and loneliness, because Franzen reveals how their struggles are our own.


Essays |

The ReCorrections: Part I

by Scott F. Parker

Nearly a decade after publication, Jonathan Franzen’s The Corrections still looms large in American fiction. The novel, and the controversy surrounding it, have influenced the way we think about issues of family, identity, art, commerce, and the role of the writer. In Part I of “The ReCorrections” Scott F. Parker reveals the impact the book had on him as a reader and why he believes “the mood of The Corrections trumps its plot.” Look for Part II tomorrow.


Essays |

Finding—and Losing—Memories in Fiction

We’ve all had the experience of knowing we recorded, somewhere, a great line or perfect image, only to futilely search for it. Could it be that unconsciously we don’t want to recover that perfect line? Because when we finally do come across it, weeks or months later, we discover that the exact phrasing doesn’t fit the story we’re telling or the character we’ve developed. What fits is the approximate version, conjured from the shadows of memory. To be truly “found” or recovered for creative purposes, memory may indeed depend on the process of transmutation.


Shop Talk |

What's in a (Pen) Name?

by Celeste Ng

The Washington Post takes a look at pen names and why writers use them: In the ’80s and ’90s, pen names began to serve less sociopolitical needs. Now a pseudonym provides an artistic reboot, or serves as an experiment, or permits a writer to reach the wallets of a new audience. […] Authors also use pen names that italicize the genre in which they’re writing. Are you more likely to read a pulpy mystery by a writer named Robb or a writer named Nora? What would look better in swirling, golden script on the steamy jacket cover of a romance […]


Shop Talk |

Help during "The Long Haul"

by Celeste Ng

So maybe Tuesday’s post on the 10-year novel got you down. Here’s some encouragement: lit site The Rumpus is introducing a new occasional column, “The Long Haul,” featuring writers reflecting on the (long-term) writing life. Or, as the editors put it: Whether you’re a literary wunderkind whose first book was a bestseller, or one of the thousands of writers who have to claw their way to a sustainable career, the writing life requires patience and resilience, a commitment to faithfully staying the course though the course sometimes offers little encouragement or reward. And yet we do it; we pass up […]


Shop Talk |

A decade in the making…

by Celeste Ng

On Slate.com, Susanna Daniels reflects on the process of writing her first novel—which she describes as “the quiet hell of 10 years of novel writing”: During my should-be-writing years, I thought about my novel all the time. Increasingly, these were not happy or satisfying thoughts. My “novel” (which had started to wear its own air quotes in my head) became something closer to enemy than lover. A person and his creative work exist in a relationship very much like a marriage: When it’s good, it’s very good, and when it’s bad, it’s ugly. And when it’s been bad for a […]


Interviews |

New Ways of Looking at Old Questions: An Interview with Heidi Durrow

by Mary Westbrook

“I don’t mind that when I’m interviewed I am speaking as a representative of biracial women. I’m heartened that people are interested. I do wonder, though, when the book is critiqued as being not enough about the biracial experience. To that criticism I say, Well, okay, but it’s not a position paper. It’s a story. … I have had a number of people “come out” to me, for lack of a better word, about their blended families, or about their grief, or about simply being a young person struggling against the labels, like geek or nerd, that they’d been assigned by peers. … They’ve connected their own stories to the stories I’ve told and suddenly feel empowered to talk about it.”




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