In her moving debut novel, Sima’s Undergarments for Women (Overlook, 2009), Ilana Stanger-Ross renders her title character so startlingly real, and with such empathy, that we cannot help but root for her. In the Jewish neighborhood of Boro Park, Brooklyn, Sima and her husband, Lev–both in shuffling middle age–have long accepted (but are forever marked by) the disappointment of not being able to have children. Sima has withdrawn into the world of her shop, away from the shroud of tragedy cast over her marriage. The story begins when a vivacious young Israeli woman, Timna, enters Sima’s shop and changes everything. The story begins when a vivacious young Israeli woman, Timna, enters Sima’s shop and changes everything.

Award-winning lyricist, Amy S. Foster–who has written songs for musicians such as Diana Krall, Michael Buble, and Andrea Bocelli–makes an eloquent transition from songwriter to novelist in her debut novel, When Autumn Leaves. Like a well-written song, the novel evokes a powerful atmosphere. Foster’s vivid descriptions bring the charming town of Avening, a magical haven in the Pacific Northwest, to life. And the story captures our attention from the first note, when we meet the title character. Autumn is a member of the Jaen, “an ancient order of women who dedicate their lives to the service of others.” For years, she has guided the people of Avening, a town whose steady undercurrent of magic has attracted a unique citizenry. In the novel’s first chapter, Autumn learns she is being reassigned. She must leave Avening–but before doing so, she must choose her successor.

Margaret Lazarus Dean’s The Time It Takes to Fall takes place in the early 80’s in Cape Canaveral, a space town, during a time when NASA and shuttle launches were still a part of the American story of success. Jennifer Metsker talks with the author about how the Challenger disaster affected us, the unique ways fiction captures the felt world, writing from the point of view of a child, and why we should allow our characters to misbehave.

“Now he was the one smiling. He knew they were all around the table, he could feel their eyes on him—The One With The Flat Face, The One With The Big Ones, The One With The Worried Face, The Gringo With The Ugly Finger, The One With The White Pants, The One With The Net On His Head—staring at him and waiting for his next move.”

– from Amigoland

At the start of Samantha Harvey’s debut novel, The Wilderness, which won the 2009 Betty Trask Prize, Jake Jameson, the story’s aging protagonist, is high above the English moors, staring down from a biplane on a landscape he used to know. But when the sight of the pilot’s “thick neck” triggers a disturbing memory…Jake isn’t upset. He’s excited.The reason: Jake has Alzheimer’s. And so begins Harvey’s novel, which centers on Jake’s attempt to look back on his ordinary life through a near impenetrable fog.

“Fiction is my default writing mode. Whenever I witness something odd on the streets or hear intriguing dialogue on the trains, my first impulse is to drop these things into my fiction bank. I don’t have a memoir bank. Fiction, to me, is running through the woods rather than running on a treadmill. It’s freedom to make up characters, setting, situations, etc.—and through this freedom I feel better equipped to express and explore my ideas.”

In her debut novel, Asta in the Wings (Tin House, 2009), Jan Elizabeth Watson captures the peculiar insightfulness of childhood through her seven-year-old narrator, Asta. Forbidden – ever – to leave the house and left alone during the day, Asta and her brother, Orion, fear a plague that their troubled mother has convinced them lurks outside their locked door and tar-papered windows. As Orion recounts: “The plague started some years ago … in a faraway land … not long after our father died from walking straight into the ocean.” These dark allusions underpin the children’s day as it unfolds in whimsical games amid stark circumstance. Yet when the children are forced to enter the outside world, we become even more fearful for their safety.

If you’re one of those anachronistic thirty-somethings who still quaintly reads books—let alone, a nineteenth- and twentieth-century form like the novel—then you may know the rare and exquisite pleasure of stumbling across one that seems to be written by, for, and about your contemporaries. I had that experience recently with Josh Mohr’s debut novel. Some Things That Meant the World to Me (Two Dollar Radio, June 2009) is the unsettling story of a thirty-year-old San Francisco man named Rhonda, who suffers from depersonalization disorder after a childhood of abandonment and abuse. In between cue-stick beatings, Rorschach tattoos, and botched batches of home-brew wine, he discovers a portal to his past in the dumpster behind a local taquería.

Chloe Aridjis’s first novel, Book of Clouds (Black Cat, 2009), proves an immensely pleasurable and thought-provoking read. Tatiana, whose father owns the largest Jewish deli in Mexico City, finds herself still living in Berlin long after winning a year there from the Goethe Institute. As a self-professed “professional in lost time,” Tatiana may challenge writer-readers’ assumptions about good characterization. And yet the novel succeeds and keeps us engaged in not only Tatiana, but in the novel’s real main character: the city of Berlin.

The paperback edition of Nami Mun’s Orange Prize-nominated debut novel-in-stories, Miles from Nowhere, will publish Tuesday, September 1, 2009. And Chicago magazine just named Nami Best New Novelist in their “Best of Chicago” feature.
Here’s my own reviewlet of the hardcover:
Miles from Nowhere began as a collection of linked stories (two of which I had [...]