Jesús Ángel García’s debut “transmedia” novel, badbadbad is fast, fun, irreverent, and unlike anything else in the fiction aisle. Starring a lead character who shares the author’s name, the book follows his descent from devout webmaster to the obsessed savior of a pornographic social network. Also included: a documentary, a soundtrack, a chapter-by-chapter YouTube playlist.

“There are people who talk about themselves in the first person, people who talk about themselves in the third person, and people who don’t talk about themselves at all,” says a character in A Meaning for Wife. Yet poet Mark Yakich’s debut novel is narrated–quite successfully–in the controversial second-person.

Popular Argentinian writer Eduardo Sacheri has said that “writing is a special way to read.” In this review of The Secret in Their Eyes, Denise Delgado explores the similarities and differences between Sacheri’s first novel and the Academy-Award winning film adaptation he helped write.

Last week we featured The Little Bride, by Anna Solomon, as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to:

Rebecca Jacoby (@RLJPOV)
shopemills (@shopemills)
e. smith sleigh (@AuthorandPoet)

To claim your free copy, please email us at the following address:
winners [at] fictionwritersreview.com
If you’d like to be eligible for future giveaways, please visit our Twitter Page [...]

In his powerful debut novel, The Art of Fielding, N+1 co-founder/editor Chad Harbach taps into the ephemeral baseball consciousness through a four-person starting rotation of narrators—all characters at a fictional small liberal arts school on Lake Michigan.

This week’s feature is Anna Solomon’s debut novel, The Little Bride, which was published in September by Riverhead. Solomon’s short fiction has appeared in One Story, The Georgia Review, Harvard Review, The Missouri Review, and Shenandoah, among others. She is the recipient of two Pushcart Prizes and The Missouri Review Editor’s Prize. Her essays have [...]

Character likability. “Plot-driven” as pejorative. Research limits in historical fiction. The mail-order-bride as escape route. The double-edged sword of social media. Anna Solomon tells it straight in this conversation with Sara Schaff.

Published last month by Starcherone Books, Sarah Falkner’s debut novel is the winner of their seventh annual Prize for Innovative Fiction. Contributor Laura Valeri says this of the book: “Even beyond the novel’s halfway point, the reader may still be uncertain of the story’s protagonists or the animal sanctuary’s role. But the pages keep turning because of Falkner’s incisive prose, her accurate and fluid discussion of the aesthetic values of film, and the moral complexity of her characters.”

Last week we featured The Angel Makers, by Jessica Gregson, as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to:

Pamela Cook (@justwritetoday)
Amanda DeMarco (@Readuxreads)
Wendy Chen (@wendywchen)

To claim your free copy, please email us at the following address:
winners [at] fictionwritersreview.com
If you’d like to be eligible for future giveaways, please visit our Twitter Page [...]

The key to the adult is often found in the child. Susan Henderson’s debut novel, Up From the Blue, perfectly balances the two crises of Tillie Harris: the year in childhood when her mother went mad and the present alarm of her premature labor.